Song and Silence

Ethnic Revival on China's Southwest Borders

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies, Anthropology
Cover of the book Song and Silence by Sara Davis, Columbia University Press
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Author: Sara Davis ISBN: 9780231509428
Publisher: Columbia University Press Publication: August 31, 2005
Imprint: Columbia University Press Language: English
Author: Sara Davis
ISBN: 9780231509428
Publisher: Columbia University Press
Publication: August 31, 2005
Imprint: Columbia University Press
Language: English

In the sunny, subtropical Sipsongpanna region, Tai Lues perform flirtatious, exoticized dances for an increasingly growing tourist trade. Endorsed by Chinese officials, who view the Tai Lues as a "model minority," these staged performances are part of a carefully sanctioned ethnic policy. However, behind the scenes and away from the eyes and ears of tourists and the Chinese government, a different kind of cultural resurgence is taking place.

In this vivid and beautifully told ethnography, Sara L. M. Davis reveals how Tai Lues are reviving and reinventing their culture in ways that contest the official state version. Carefully avoiding government repression, Tai Lues have rebuilt Buddhist temples and made them into vital centers for the Tai community to gather, discuss their future, and express discontent. Davis also describes the resurgence of the Tai language evident in a renewed interest in epic storytelling and traditional songs as well as the popularity of Tai pop music and computer publishing projects. Throughout her work, Davis weaves together the voices of monks, singers, and activists to examine issues of cultural authenticity, the status of ethnic minorities in China, and the growing cross-border contacts among Tai Lues in China, Thailand, Burma, and Laos.

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In the sunny, subtropical Sipsongpanna region, Tai Lues perform flirtatious, exoticized dances for an increasingly growing tourist trade. Endorsed by Chinese officials, who view the Tai Lues as a "model minority," these staged performances are part of a carefully sanctioned ethnic policy. However, behind the scenes and away from the eyes and ears of tourists and the Chinese government, a different kind of cultural resurgence is taking place.

In this vivid and beautifully told ethnography, Sara L. M. Davis reveals how Tai Lues are reviving and reinventing their culture in ways that contest the official state version. Carefully avoiding government repression, Tai Lues have rebuilt Buddhist temples and made them into vital centers for the Tai community to gather, discuss their future, and express discontent. Davis also describes the resurgence of the Tai language evident in a renewed interest in epic storytelling and traditional songs as well as the popularity of Tai pop music and computer publishing projects. Throughout her work, Davis weaves together the voices of monks, singers, and activists to examine issues of cultural authenticity, the status of ethnic minorities in China, and the growing cross-border contacts among Tai Lues in China, Thailand, Burma, and Laos.

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