Sonic Space in Djibril Diop Mambety's Films

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Sonic Space in Djibril Diop Mambety's Films by Vlad Dima, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Vlad Dima ISBN: 9780253024336
Publisher: Indiana University Press Publication: January 9, 2017
Imprint: Indiana University Press Language: English
Author: Vlad Dima
ISBN: 9780253024336
Publisher: Indiana University Press
Publication: January 9, 2017
Imprint: Indiana University Press
Language: English

The art of Senegalese director Djibril Diop Mambety’s cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety’s film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety’s entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The art of Senegalese director Djibril Diop Mambety’s cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety’s film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety’s entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema.

More books from Indiana University Press

Cover of the book Joachim Prinz, Rebellious Rabbi by Vlad Dima
Cover of the book All Things Are Possible by Vlad Dima
Cover of the book Hazing by Vlad Dima
Cover of the book Consuming Ocean Island by Vlad Dima
Cover of the book Last Press Bus Out of Middletown by Vlad Dima
Cover of the book Salvation and Suicide by Vlad Dima
Cover of the book Debt by Vlad Dima
Cover of the book Dreams Deferred by Vlad Dima
Cover of the book Behind the Smile, Second Edition by Vlad Dima
Cover of the book Balkan Breakthrough by Vlad Dima
Cover of the book French Cinema—A Critical Filmography by Vlad Dima
Cover of the book Wet Britches and Muddy Boots by Vlad Dima
Cover of the book General Jacob Devers by Vlad Dima
Cover of the book Selling Local by Vlad Dima
Cover of the book Indiana Winter by Vlad Dima
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy