Sound, Speech, Music in Soviet and Post-Soviet Cinema

Nonfiction, History, Asian, Former Soviet Republics, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Sound, Speech, Music in Soviet and Post-Soviet Cinema by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253011107
Publisher: Indiana University Press Publication: March 7, 2014
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253011107
Publisher: Indiana University Press
Publication: March 7, 2014
Imprint: Indiana University Press
Language: English

This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens.

More books from Indiana University Press

Cover of the book The Materiality of Language by
Cover of the book Charting the Past by
Cover of the book But What If There's No Chimney? by
Cover of the book The Katangese Gendarmes and War in Central Africa by
Cover of the book Translation and the Arts in Modern France by
Cover of the book General Jacob Devers by
Cover of the book Creepy California by
Cover of the book Saharan Frontiers by
Cover of the book Transportation and the American People by
Cover of the book "Right Makes Might" by
Cover of the book Jazz Religion, the Second Line, and Black New Orleans, New Edition by
Cover of the book Veiling in Africa by
Cover of the book The Flaherty by
Cover of the book Trickster Theatre by
Cover of the book Voice of Business by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy