Southern History on Screen

Race and Rights, 1976-2016

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, History, Americas, United States
Cover of the book Southern History on Screen by Oliver Gruner, Daniel Farrell, Erik Alexander, Caroline Schroeter, Todd Simpson, Kwakiutl Dreher, Megan Hunt, Gene Kelly, Tatiana Prorokova, The University Press of Kentucky
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Author: Oliver Gruner, Daniel Farrell, Erik Alexander, Caroline Schroeter, Todd Simpson, Kwakiutl Dreher, Megan Hunt, Gene Kelly, Tatiana Prorokova ISBN: 9780813176451
Publisher: The University Press of Kentucky Publication: December 3, 2018
Imprint: The University Press of Kentucky Language: English
Author: Oliver Gruner, Daniel Farrell, Erik Alexander, Caroline Schroeter, Todd Simpson, Kwakiutl Dreher, Megan Hunt, Gene Kelly, Tatiana Prorokova
ISBN: 9780813176451
Publisher: The University Press of Kentucky
Publication: December 3, 2018
Imprint: The University Press of Kentucky
Language: English

Hollywood films have been influential in the portrayal and representation of race relations in the South and how African Americans are cinematically depicted in history, from The Birth of a Nation (1915) and Gone with the Wind (1939) to The Help (2011) and 12 Years a Slave (2013). With an ability to reach mass audiences, films represent the power to influence and shape the public's understanding of our country's past, creating lasting images -- both real and imagined -- in American culture.

In Southern History on Screen: Race and Rights, 1976--2016, editor Bryan Jack brings together essays from an international roster of scholars to provide new critical perspectives on Hollywood's relationships between historical films, Southern history, identity, and the portrayal of Jim Crow--era segregation. This collection analyzes films through the lens of religion, politics, race, sex, and class, building a comprehensive look at the South as seen on screen. By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the "white heroes" in A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.

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Hollywood films have been influential in the portrayal and representation of race relations in the South and how African Americans are cinematically depicted in history, from The Birth of a Nation (1915) and Gone with the Wind (1939) to The Help (2011) and 12 Years a Slave (2013). With an ability to reach mass audiences, films represent the power to influence and shape the public's understanding of our country's past, creating lasting images -- both real and imagined -- in American culture.

In Southern History on Screen: Race and Rights, 1976--2016, editor Bryan Jack brings together essays from an international roster of scholars to provide new critical perspectives on Hollywood's relationships between historical films, Southern history, identity, and the portrayal of Jim Crow--era segregation. This collection analyzes films through the lens of religion, politics, race, sex, and class, building a comprehensive look at the South as seen on screen. By illuminating depictions of the southern belle in Gone with the Wind, the religious rhetoric of southern white Christians and the progressive identity of the "white heroes" in A Time to Kill (1996) and Mississippi Burning (1988), as well as many other archetypes found across films, this book explores the intersection between film, historical memory, and southern identity.

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