Space and Being in Contemporary French Cinema

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Space and Being in Contemporary French Cinema by James S. Williams, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James S. Williams ISBN: 9781526102225
Publisher: Manchester University Press Publication: November 1, 2015
Imprint: Manchester University Press Language: English
Author: James S. Williams
ISBN: 9781526102225
Publisher: Manchester University Press
Publication: November 1, 2015
Imprint: Manchester University Press
Language: English

This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. Foregrounding the centrality of space and spatial identity within both the French cinematic tradition and modern French thought, Space and Being in Contemporary French Cinema proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. If cinema, it argues, shows us both the process of physical space becoming formal space and the world becoming the world, then to destabilise the cinematic frame is potentially to rediscover the material world afresh. Accessible and wide-ranging, this volume examines our contemporary experience of perception and subjectivity and suggests that cinema extends ethically the parameters of the visual field when it engages directly with space as a multi-dimensional and multi-sensory experience. The book opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. Foregrounding the centrality of space and spatial identity within both the French cinematic tradition and modern French thought, Space and Being in Contemporary French Cinema proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. If cinema, it argues, shows us both the process of physical space becoming formal space and the world becoming the world, then to destabilise the cinematic frame is potentially to rediscover the material world afresh. Accessible and wide-ranging, this volume examines our contemporary experience of perception and subjectivity and suggests that cinema extends ethically the parameters of the visual field when it engages directly with space as a multi-dimensional and multi-sensory experience. The book opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)

More books from Manchester University Press

Cover of the book Unlimited action by James S. Williams
Cover of the book Irish women's writing, 1878–1922 by James S. Williams
Cover of the book Tristana by James S. Williams
Cover of the book Male voices on women's rights by James S. Williams
Cover of the book Mainstreaming Co-Operation by James S. Williams
Cover of the book British National Identity and Opposition to Membership of Europe, 1961-63 by James S. Williams
Cover of the book The NGO CARE and food aid from America 1945-80 by James S. Williams
Cover of the book Land questions in modern Ireland by James S. Williams
Cover of the book The women's liberation movement in Scotland by James S. Williams
Cover of the book Gender, nation and conquest in the high Middle Ages by James S. Williams
Cover of the book Crowns and colonies by James S. Williams
Cover of the book Egypt by James S. Williams
Cover of the book Migrants of the British diaspora since the 1960s by James S. Williams
Cover of the book Thomas Hood and nineteenth-century poetry by James S. Williams
Cover of the book A history of the Greek resistance in the Second World War by James S. Williams
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy