Stage and Picture in the English Renaissance

The Mirror up to Nature

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Art & Architecture, General Art, Entertainment, Drama
Cover of the book Stage and Picture in the English Renaissance by John H. Astington, Cambridge University Press
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Author: John H. Astington ISBN: 9781108378048
Publisher: Cambridge University Press Publication: May 18, 2017
Imprint: Cambridge University Press Language: English
Author: John H. Astington
ISBN: 9781108378048
Publisher: Cambridge University Press
Publication: May 18, 2017
Imprint: Cambridge University Press
Language: English

This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.

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This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received.

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