Staging Authority in Caroline England

Prerogative, Law and Order in Drama, 1625–1642

Fiction & Literature, Literary Theory & Criticism
Cover of the book Staging Authority in Caroline England by Jessica Dyson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jessica Dyson ISBN: 9781317050889
Publisher: Taylor and Francis Publication: April 1, 2016
Imprint: Routledge Language: English
Author: Jessica Dyson
ISBN: 9781317050889
Publisher: Taylor and Francis
Publication: April 1, 2016
Imprint: Routledge
Language: English

Considering plays by Philip Massinger, Richard Brome, Ben Jonson, John Ford and James Shirley, this study addresses the political import of Caroline drama as it engages with contemporary struggles over authority between royal prerogative, common law and local custom in seventeenth-century England. How are these different aspects of law and government constructed and negotiated in plays of the period? What did these stagings mean in the increasingly unstable political context of Caroline England? Beginning each chapter with a summary of the legal and political debates relevant to the forms of authority contested in the plays of that chapter, Jessica Dyson responds to these kinds of questions, arguing that drama provides a medium whereby the political and legal debates of the period may be presented to, and debated by, a wider audience than the more technical contemporary discourses of law could permit. In so doing, this book transforms our understanding of the Caroline commercial theatre’s relationship with legal authority.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Considering plays by Philip Massinger, Richard Brome, Ben Jonson, John Ford and James Shirley, this study addresses the political import of Caroline drama as it engages with contemporary struggles over authority between royal prerogative, common law and local custom in seventeenth-century England. How are these different aspects of law and government constructed and negotiated in plays of the period? What did these stagings mean in the increasingly unstable political context of Caroline England? Beginning each chapter with a summary of the legal and political debates relevant to the forms of authority contested in the plays of that chapter, Jessica Dyson responds to these kinds of questions, arguing that drama provides a medium whereby the political and legal debates of the period may be presented to, and debated by, a wider audience than the more technical contemporary discourses of law could permit. In so doing, this book transforms our understanding of the Caroline commercial theatre’s relationship with legal authority.

More books from Taylor and Francis

Cover of the book Single-Case Research Design and Analysis (Psychology Revivals) by Jessica Dyson
Cover of the book Neuropsychology and the Hispanic Patient by Jessica Dyson
Cover of the book Women, Incarceration, and Human Rights Violations by Jessica Dyson
Cover of the book Overcoming Sex Addiction by Jessica Dyson
Cover of the book Communication Yearbook 16 by Jessica Dyson
Cover of the book The Later Medieval City by Jessica Dyson
Cover of the book Turkish Politics and the Military by Jessica Dyson
Cover of the book The New Spatiality of Security by Jessica Dyson
Cover of the book Norman Tradition and Transcultural Heritage by Jessica Dyson
Cover of the book The Communicative Grammar of English Workbook by Jessica Dyson
Cover of the book High-Stakes Testing in Education by Jessica Dyson
Cover of the book Social Connectionism by Jessica Dyson
Cover of the book Human Resource Management by Jessica Dyson
Cover of the book Bear Cookin' by Jessica Dyson
Cover of the book Loving Nature by Jessica Dyson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy