Stanley’s Girl

Poems

Nonfiction, Social & Cultural Studies, Political Science, Politics, Labour & Industrial Relations, Fiction & Literature, Poetry, American
Cover of the book Stanley’s Girl by Susan Eisenberg, Cornell University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Susan Eisenberg ISBN: 9781501719721
Publisher: Cornell University Press Publication: May 15, 2018
Imprint: ILR Press Language: English
Author: Susan Eisenberg
ISBN: 9781501719721
Publisher: Cornell University Press
Publication: May 15, 2018
Imprint: ILR Press
Language: English

The fiercely lyrical poetry of Stanley’s Girl is rooted in Susan Eisenberg’s experience as one of the first women to enter the construction industry and from her decades gathering accounts of others to give scaffolding to that history. Eisenberg charts her own induction into the construction workplace culture and how tradeswomen from across the country grappled with what was required to become a team player and succeed in a dangerous workplace where women were unwelcome. The specifics of construction become metaphor as she explores resonances in other spheres—from family to other social and political issues—where violence, or its threat, maintains order. Prying open memory, her poems investigate how systems of discrimination, domination, and exclusion are maintained and how individuals and institutions accommodate to injustice and its agreed-on lies, including her own collusion. Poems in this collection probe workplace-linked suicide, sexual assault, and sometimes-fatal intentional accidents, as well as the role of bystander silence and the responsibility of witness.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The fiercely lyrical poetry of Stanley’s Girl is rooted in Susan Eisenberg’s experience as one of the first women to enter the construction industry and from her decades gathering accounts of others to give scaffolding to that history. Eisenberg charts her own induction into the construction workplace culture and how tradeswomen from across the country grappled with what was required to become a team player and succeed in a dangerous workplace where women were unwelcome. The specifics of construction become metaphor as she explores resonances in other spheres—from family to other social and political issues—where violence, or its threat, maintains order. Prying open memory, her poems investigate how systems of discrimination, domination, and exclusion are maintained and how individuals and institutions accommodate to injustice and its agreed-on lies, including her own collusion. Poems in this collection probe workplace-linked suicide, sexual assault, and sometimes-fatal intentional accidents, as well as the role of bystander silence and the responsibility of witness.

More books from Cornell University Press

Cover of the book The Institution of Criticism by Susan Eisenberg
Cover of the book Invisible Weapons by Susan Eisenberg
Cover of the book Club Red by Susan Eisenberg
Cover of the book Waging War, Planning Peace by Susan Eisenberg
Cover of the book The One-Way Street of Integration by Susan Eisenberg
Cover of the book Tearing Apart the Land by Susan Eisenberg
Cover of the book Retracing a Winter's Journey by Susan Eisenberg
Cover of the book Banished to the Great Northern Wilderness by Susan Eisenberg
Cover of the book Brothers in Arms by Susan Eisenberg
Cover of the book Nested Security by Susan Eisenberg
Cover of the book "Strong of Body, Brave and Noble" by Susan Eisenberg
Cover of the book Black Vienna by Susan Eisenberg
Cover of the book The Politics of the Headscarf in the United States by Susan Eisenberg
Cover of the book Woolf’s Ambiguities by Susan Eisenberg
Cover of the book Air Pollutant Deposition and Its Effects on Natural Resources in New York State by Susan Eisenberg
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy