Surveillance in Asian Cinema

Under Eastern Eyes

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book Surveillance in Asian Cinema by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317298809
Publisher: Taylor and Francis Publication: February 24, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781317298809
Publisher: Taylor and Francis
Publication: February 24, 2017
Imprint: Routledge
Language: English

Critical theory and popular wisdom are rife with images of surveillance as an intrusive, repressive practice often suggestively attributed to eastern powers and opposed to western liberalism. Hollywood-dominated global media has long promulgated a geopoliticized east-west axis of freedom vs. control. This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and—more specifically—probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring recent and historical movies made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns implicitly underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and western liberalism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Critical theory and popular wisdom are rife with images of surveillance as an intrusive, repressive practice often suggestively attributed to eastern powers and opposed to western liberalism. Hollywood-dominated global media has long promulgated a geopoliticized east-west axis of freedom vs. control. This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and—more specifically—probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring recent and historical movies made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns implicitly underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and western liberalism.

More books from Taylor and Francis

Cover of the book The Routledge History Handbook of Gender and the Urban Experience by
Cover of the book Fairy Tales and the Art of Subversion by
Cover of the book Encyclopedia of Domestic Violence by
Cover of the book Studying for Continuing Professional Development in Health by
Cover of the book Widowhood and Visual Culture in Early Modern Europe by
Cover of the book Law, Cultural Diversity, and Criminal Defense by
Cover of the book Leadership by
Cover of the book Robert Greene's Planetomachia (1585) by
Cover of the book Spoken Language Difficulties by
Cover of the book Ethiopia Photographed by
Cover of the book Thinking English Translation by
Cover of the book Fifty Contemporary Choreographers by
Cover of the book Asylum, Welfare and the Cosmopolitan Ideal by
Cover of the book Social Services for Senior Gay Men and Lesbians by
Cover of the book Routledge Companion to Philosophy of Religion by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy