Tashkent

Forging a Soviet City, 1930–1966

Nonfiction, History, Asian, Asia, Russia
Cover of the book Tashkent by Paul Stronski, University of Pittsburgh Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Paul Stronski ISBN: 9780822973898
Publisher: University of Pittsburgh Press Publication: September 19, 2010
Imprint: University of Pittsburgh Press Language: English
Author: Paul Stronski
ISBN: 9780822973898
Publisher: University of Pittsburgh Press
Publication: September 19, 2010
Imprint: University of Pittsburgh Press
Language: English

Paul Stronski tells the fascinating story of Tashkent, an ethnically diverse, primarily Muslim city that became the prototype for the Soviet-era reimagining of urban centers in Central Asia. Based on extensive research in Russian and Uzbek archives, Stronski shows us how Soviet officials, planners, and architects strived to integrate local ethnic traditions and socialist ideology into a newly constructed urban space and propaganda showcase.

The Soviets planned to transform Tashkent from a “feudal city” of the tsarist era into a “flourishing garden,” replete with fountains, a lakeside resort, modern roadways, schools, hospitals, apartment buildings, and of course, factories. The city was intended to be a shining example to the world of the successful assimilation of a distinctly non-Russian city and its citizens through the catalyst of socialism. As Stronski reveals, the physical building of this Soviet city was not an end in itself, but rather a means to change the people and their society.

    Stronski analyzes how the local population of Tashkent reacted to, resisted, and eventually acquiesced to the city’s socialist transformation. He records their experiences of the Great Terror, World War II, Stalin’s death, and the developments of the Krushchev and Brezhnev eras up until the earthquake of 1966, which leveled large parts of the city. Stronski finds that the Soviets established a legitimacy that transformed Tashkent and its people into one of the more stalwart supporters of the regime through years of political and cultural changes and finally during the upheavals of glasnost.  

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Paul Stronski tells the fascinating story of Tashkent, an ethnically diverse, primarily Muslim city that became the prototype for the Soviet-era reimagining of urban centers in Central Asia. Based on extensive research in Russian and Uzbek archives, Stronski shows us how Soviet officials, planners, and architects strived to integrate local ethnic traditions and socialist ideology into a newly constructed urban space and propaganda showcase.

The Soviets planned to transform Tashkent from a “feudal city” of the tsarist era into a “flourishing garden,” replete with fountains, a lakeside resort, modern roadways, schools, hospitals, apartment buildings, and of course, factories. The city was intended to be a shining example to the world of the successful assimilation of a distinctly non-Russian city and its citizens through the catalyst of socialism. As Stronski reveals, the physical building of this Soviet city was not an end in itself, but rather a means to change the people and their society.

    Stronski analyzes how the local population of Tashkent reacted to, resisted, and eventually acquiesced to the city’s socialist transformation. He records their experiences of the Great Terror, World War II, Stalin’s death, and the developments of the Krushchev and Brezhnev eras up until the earthquake of 1966, which leveled large parts of the city. Stronski finds that the Soviets established a legitimacy that transformed Tashkent and its people into one of the more stalwart supporters of the regime through years of political and cultural changes and finally during the upheavals of glasnost.  

More books from University of Pittsburgh Press

Cover of the book The Animals All Are Gathering by Paul Stronski
Cover of the book Music for a Wedding by Paul Stronski
Cover of the book Song Of Thieves by Paul Stronski
Cover of the book The Rise and Fall of Belarusian Nationalism, 1906–1931 by Paul Stronski
Cover of the book The Book of Seventy by Paul Stronski
Cover of the book Soviet Space Mythologies by Paul Stronski
Cover of the book Hyperboreal by Paul Stronski
Cover of the book Eve's Striptease by Paul Stronski
Cover of the book Remembering Cold Days by Paul Stronski
Cover of the book Victorian Literature and the Physics of the Imponderable by Paul Stronski
Cover of the book The Slide by Paul Stronski
Cover of the book The Republics by Paul Stronski
Cover of the book Ignorance by Paul Stronski
Cover of the book Palace of Culture by Paul Stronski
Cover of the book The Once and Future Muse by Paul Stronski
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy