The Age of Homespun

Objects and Stories in the Creation of an American Myth

Nonfiction, Home & Garden, Antiques & Collectibles, Social & Cultural Studies, Social Science, Anthropology, History, Americas, United States
Cover of the book The Age of Homespun by Laurel Thatcher Ulrich, Knopf Doubleday Publishing Group
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Author: Laurel Thatcher Ulrich ISBN: 9780307416865
Publisher: Knopf Doubleday Publishing Group Publication: August 26, 2009
Imprint: Vintage Language: English
Author: Laurel Thatcher Ulrich
ISBN: 9780307416865
Publisher: Knopf Doubleday Publishing Group
Publication: August 26, 2009
Imprint: Vintage
Language: English

They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history.

In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history.

In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

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