The Artificial Body in Fashion and Art

Marionettes, Models and Mannequins

Nonfiction, Art & Architecture, General Art, Criticism, Popular Culture, Fashion
Cover of the book The Artificial Body in Fashion and Art by Adam Geczy, Bloomsbury Publishing
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Author: Adam Geczy ISBN: 9781472595980
Publisher: Bloomsbury Publishing Publication: November 3, 2016
Imprint: Bloomsbury Academic Language: English
Author: Adam Geczy
ISBN: 9781472595980
Publisher: Bloomsbury Publishing
Publication: November 3, 2016
Imprint: Bloomsbury Academic
Language: English

Artificial bodies constructed in human likeness, from uncanny automatons to mechanical dolls, have long played a complex and subtle role in human identity and culture. This book takes a range of these bodies, from antiquity to the present day, to explore how we seek out echoes, caricatures and replications of ourselves in order to make sense of the complex world in which we live.

Packed with case studies, from the commedia del'arte to Hans Bellmer and the 1980s supermodel, this volume explores the divide between the "real†? and the constructed. Arguing that the body "other†? plays a crucial role in the formation of the self physically and psychologically, leading scholar Adam Geczy contends that the "natural†? body has been replaced by a series of imaginary archetypes in our post-modern world, central to which is the figure of the doll.

The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Artificial bodies constructed in human likeness, from uncanny automatons to mechanical dolls, have long played a complex and subtle role in human identity and culture. This book takes a range of these bodies, from antiquity to the present day, to explore how we seek out echoes, caricatures and replications of ourselves in order to make sense of the complex world in which we live.

Packed with case studies, from the commedia del'arte to Hans Bellmer and the 1980s supermodel, this volume explores the divide between the "real†? and the constructed. Arguing that the body "other†? plays a crucial role in the formation of the self physically and psychologically, leading scholar Adam Geczy contends that the "natural†? body has been replaced by a series of imaginary archetypes in our post-modern world, central to which is the figure of the doll.

The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art.

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