The Artist and the Bridge

1700-1920

Nonfiction, Art & Architecture, General Art, Reference
Cover of the book The Artist and the Bridge by John Sweetman, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Sweetman ISBN: 9780429801952
Publisher: Taylor and Francis Publication: May 23, 2019
Imprint: Routledge Language: English
Author: John Sweetman
ISBN: 9780429801952
Publisher: Taylor and Francis
Publication: May 23, 2019
Imprint: Routledge
Language: English

First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer’s bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty’s The Bridge of Sighs and Claude Monet’s The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky’s Composition IV and C.R.W. Nevinson’s Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer’s bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty’s The Bridge of Sighs and Claude Monet’s The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky’s Composition IV and C.R.W. Nevinson’s Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.

More books from Taylor and Francis

Cover of the book The United Nations in the 21st Century by John Sweetman
Cover of the book Mediating Human Rights by John Sweetman
Cover of the book Women's Rights, Human Rights by John Sweetman
Cover of the book A Cognitive Behavioural Therapy Programme for Problem Gambling by John Sweetman
Cover of the book The Psychology Of Intelligence And Will by John Sweetman
Cover of the book Powerful Pedagogy by John Sweetman
Cover of the book Social Policy and Migration in China by John Sweetman
Cover of the book Implementing Mobile TV by John Sweetman
Cover of the book Michelangelo by John Sweetman
Cover of the book Philosophical Experiments and Observations by John Sweetman
Cover of the book Elements of Pure Economics by John Sweetman
Cover of the book Lone Mothers, Social Security and the Family in Hong Kong by John Sweetman
Cover of the book Ecology and Revolution by John Sweetman
Cover of the book The Re-Emergence of Virtual Reality by John Sweetman
Cover of the book What Works with Children and Adolescents? by John Sweetman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy