The Ashgate Research Companion to Experimental Music

Nonfiction, Entertainment, Music
Cover of the book The Ashgate Research Companion to Experimental Music by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781351697576
Publisher: Taylor and Francis Publication: February 3, 2017
Imprint: Routledge Language: English
Author:
ISBN: 9781351697576
Publisher: Taylor and Francis
Publication: February 3, 2017
Imprint: Routledge
Language: English

The recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music.

More books from Taylor and Francis

Cover of the book Democracy and National Pluralism by
Cover of the book Current Research in Puerto Rican Linguistics by
Cover of the book Expanding Export Markets by
Cover of the book Outreach and Care Approaches to HIV/AIDS Along the US-Mexico Border by
Cover of the book Indigenous Discourses on Knowledge and Development in Africa by
Cover of the book The Social Psychology of Religion (Psychology Revivals) by
Cover of the book Nursing in the European Union by
Cover of the book Life Course, Happiness and Well-being in Japan by
Cover of the book Identity Politics at Work by
Cover of the book Our Evolving Curriculum by
Cover of the book Frantz Fanon by
Cover of the book Road to Pakistan by
Cover of the book Exploring the Social Impacts of Events by
Cover of the book Regulating Europe by
Cover of the book Authenticity, Autonomy and Multiculturalism by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy