The Best British Short Stories of 1922

Fiction & Literature, Classics
Cover of the book The Best British Short Stories of 1922 by Stacy Aumonier, Otbebookpublishing
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Author: Stacy Aumonier ISBN: 9783962725426
Publisher: Otbebookpublishing Publication: October 17, 2018
Imprint: Otbebookpublishing Language: English
Author: Stacy Aumonier
ISBN: 9783962725426
Publisher: Otbebookpublishing
Publication: October 17, 2018
Imprint: Otbebookpublishing
Language: English

Excerpt: "Never before have men had such opportunities for knowing the world, never before has it been so easy to cover space, our means of communication have never been so rapid; yet there is an almost maddening contradiction in the fact that every man who writes is content in describing but a single facet of the great adventure of life. Our age is an age of specialisation, and many a man spends a life in trying to visualise for us a fragment of existence in multitudinous variations. An Empire may be said to stand for a universalising tendency, yet the extraordinary fact about the mass of English stories today is that, far from being expressive of any tendency to unity, they are mostly concerned with presenting the specialised atmospheres of so many individual localities and vocations. We have writers who do not go beyond Dartmoor, or Park Lane, or the East End of London; we have writers of sea stories, jungle stories, detective stories, lost jewel stories, slum stories, and we have writers who seldom stray from the cricket field or the prize ring, or Freudian complexes."

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Excerpt: "Never before have men had such opportunities for knowing the world, never before has it been so easy to cover space, our means of communication have never been so rapid; yet there is an almost maddening contradiction in the fact that every man who writes is content in describing but a single facet of the great adventure of life. Our age is an age of specialisation, and many a man spends a life in trying to visualise for us a fragment of existence in multitudinous variations. An Empire may be said to stand for a universalising tendency, yet the extraordinary fact about the mass of English stories today is that, far from being expressive of any tendency to unity, they are mostly concerned with presenting the specialised atmospheres of so many individual localities and vocations. We have writers who do not go beyond Dartmoor, or Park Lane, or the East End of London; we have writers of sea stories, jungle stories, detective stories, lost jewel stories, slum stories, and we have writers who seldom stray from the cricket field or the prize ring, or Freudian complexes."

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