The Black Album: Writings on Art and Culture, Expanded 2nd Ed.

Nonfiction, Art & Architecture, General Art, Criticism, Popular Culture, Art History
Cover of the book The Black Album: Writings on Art and Culture, Expanded 2nd Ed. by Bradley Rubenstein, Meridian Art Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bradley Rubenstein ISBN: 9781732221925
Publisher: Meridian Art Press Publication: May 15, 2019
Imprint: Language: English
Author: Bradley Rubenstein
ISBN: 9781732221925
Publisher: Meridian Art Press
Publication: May 15, 2019
Imprint:
Language: English

The Black Album: Writings on Art and Culture is a collection of writing by painter and writer Bradley Rubenstein. There was once a time when art, technology, science, and poetry collided with politics. Zola and Cézanne. Fénéon and Seurat. Balzac and Rodin. Jean Arp and Hans Arp. Anarchy and beauty combined. In our current moment it seems that we might be well served to remember this past; when art and culture are driven underground, new ideas emerge. Taking Joan Didion's collection of criticism, The White Album, as a point of reference, Bradley Rubenstein creates a new vocabulary for critiquing an age where art has wed technology, fiction has become reality, and images, like words, are not always meant to be trusted. Like Robert Smithson, Rubenstein eschews a personal writing style, instead using screenplays, poetry, science fiction, satire, and other genres styles to create a continuously changing narrative.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Black Album: Writings on Art and Culture is a collection of writing by painter and writer Bradley Rubenstein. There was once a time when art, technology, science, and poetry collided with politics. Zola and Cézanne. Fénéon and Seurat. Balzac and Rodin. Jean Arp and Hans Arp. Anarchy and beauty combined. In our current moment it seems that we might be well served to remember this past; when art and culture are driven underground, new ideas emerge. Taking Joan Didion's collection of criticism, The White Album, as a point of reference, Bradley Rubenstein creates a new vocabulary for critiquing an age where art has wed technology, fiction has become reality, and images, like words, are not always meant to be trusted. Like Robert Smithson, Rubenstein eschews a personal writing style, instead using screenplays, poetry, science fiction, satire, and other genres styles to create a continuously changing narrative.

More books from Art History

Cover of the book Curious Visions of Modernity: Enchantment, Magic, and the Sacred by Bradley Rubenstein
Cover of the book Spaceshots and Snapshots of Projects Mercury and Gemini by Bradley Rubenstein
Cover of the book Cinematography in the Weimar Republic by Bradley Rubenstein
Cover of the book The Zeon Files by Bradley Rubenstein
Cover of the book Early Italian Painting by Bradley Rubenstein
Cover of the book The Perfect Genre. Drama and Painting in Renaissance Italy by Bradley Rubenstein
Cover of the book The 50 Francis Street Photographer by Bradley Rubenstein
Cover of the book Dallas Aviation by Bradley Rubenstein
Cover of the book Siler City by Bradley Rubenstein
Cover of the book African Americans in El Paso by Bradley Rubenstein
Cover of the book Reuse Value by Bradley Rubenstein
Cover of the book Nyonya Kebaya by Bradley Rubenstein
Cover of the book Some Greek Portraits, Illustrated by Bradley Rubenstein
Cover of the book Language in Public Spaces in Japan by Bradley Rubenstein
Cover of the book University of Vermont by Bradley Rubenstein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy