The Body and the Screen

Female Subjectivities in Contemporary Women’s Cinema

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book The Body and the Screen by Kate Ince, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Kate Ince ISBN: 9781623565206
Publisher: Bloomsbury Publishing Publication: January 12, 2017
Imprint: Bloomsbury Academic Language: English
Author: Kate Ince
ISBN: 9781623565206
Publisher: Bloomsbury Publishing
Publication: January 12, 2017
Imprint: Bloomsbury Academic
Language: English

Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018

Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema†? series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018

Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema†? series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.

More books from Bloomsbury Publishing

Cover of the book The Jesus and Mary Chain's Psychocandy by Kate Ince
Cover of the book Atwood's The Handmaid's Tale by Kate Ince
Cover of the book Advances in Religion, Cognitive Science, and Experimental Philosophy by Kate Ince
Cover of the book At Hawthorn Time: Costa by Kate Ince
Cover of the book First Bull Run 1861 by Kate Ince
Cover of the book An Inspector Calls GCSE Student Guide by Kate Ince
Cover of the book Fashion Drawing by Kate Ince
Cover of the book The Giraffe's Neck by Kate Ince
Cover of the book Monsieur Ibrahim And The Flowers of the Qu'ran by Kate Ince
Cover of the book Harajuku Girls by Kate Ince
Cover of the book The If Odyssey by Kate Ince
Cover of the book Dramaturgy in the Making by Kate Ince
Cover of the book The Byrds' The Notorious Byrd Brothers by Kate Ince
Cover of the book The Boat Data Book by Kate Ince
Cover of the book Who me, Poor? by Kate Ince
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy