The British Pop Dandy

Masculinity, Popular Music and Culture

Nonfiction, Entertainment, Music, Social & Cultural Studies, Social Science
Cover of the book The British Pop Dandy by Stan Hawkins, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stan Hawkins ISBN: 9781351545853
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Stan Hawkins
ISBN: 9781351545853
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, No Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, The British Pop Dandy considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Why do we derive pleasure from the performing body, and how is entertainment linked to categories of gender and sexuality? The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire. One of the political objectives of the dandy is to liberate himself through a denial of the structures that assume fixed identity. Not least, it is acts of queering in pop music that characterize entire generations of male artists in the UK. Setting out to discover what distinguishes the British pop dandy, Hawkins considers the role of music and performance in the articulation of hyperbolic display. It is argued that the recorded voice is a construction that idealizes self-representation, and absorbs the listener's attention. Particularly, camp address in singing practice is taken up in conjunction with a discussion of intimacy, which forms part of the strategy of the performer. In a range of songs and videos selected for music analysis, Hawkins points to the uniqueness of the voice as it expresses a transgressive quali

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Who are pop dandies? Why are stars like David Bowie, Jarvis Cocker, Pete Doherty and Robbie Williams so dandified? Taking up a wide range of British pop stars, Hawkins seeks to find out why so many have cast themselves in roles that often take style to absurd extremes. In this study, male pop artists are mapped against a cultural and historical background through a genealogy of personalities, such as Oscar Wilde, W.H. Auden, Andy Warhol, No Coward, Derek Jarmen, David Beckham and countless others. A critical analysis of issues and approaches to musical performance through masculinity becomes the focal point of this fascinating study. Ranging from the sixties to beyond the twentieth century, The British Pop Dandy considers the construction of the male pop icon through the spectacle of videos, live concerts and films. Why do we derive pleasure from the performing body, and how is entertainment linked to categories of gender and sexuality? The author insists that pop performances can be understood through human characteristics that relate to the particulars of dandyism, camp and glamour, and this he theorizes through the work of Charles Baudelaire. One of the political objectives of the dandy is to liberate himself through a denial of the structures that assume fixed identity. Not least, it is acts of queering in pop music that characterize entire generations of male artists in the UK. Setting out to discover what distinguishes the British pop dandy, Hawkins considers the role of music and performance in the articulation of hyperbolic display. It is argued that the recorded voice is a construction that idealizes self-representation, and absorbs the listener's attention. Particularly, camp address in singing practice is taken up in conjunction with a discussion of intimacy, which forms part of the strategy of the performer. In a range of songs and videos selected for music analysis, Hawkins points to the uniqueness of the voice as it expresses a transgressive quali

More books from Taylor and Francis

Cover of the book Concrete Demands by Stan Hawkins
Cover of the book Suzan-Lori Parks in Person by Stan Hawkins
Cover of the book Russia and China by Stan Hawkins
Cover of the book Systemic Structural Constellations and Sustainability in Academia by Stan Hawkins
Cover of the book Mohammed by Stan Hawkins
Cover of the book The Routledge International Handbook of Education, Religion and Values by Stan Hawkins
Cover of the book Divine Economy by Stan Hawkins
Cover of the book Same-Sex Desire in the English Renaissance by Stan Hawkins
Cover of the book Rethinking Law as Process by Stan Hawkins
Cover of the book Masculinity in Opera by Stan Hawkins
Cover of the book Human Resource Management in the Project-Oriented Organization by Stan Hawkins
Cover of the book The Socio-Political Practice of Human Rights by Stan Hawkins
Cover of the book Effective Teaching by Stan Hawkins
Cover of the book Serial Murder by Stan Hawkins
Cover of the book Integrating Multiple Literacies in K-8 Classrooms by Stan Hawkins
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy