The Cambridge Companion to Film Music

Nonfiction, Entertainment, Film, Performing Arts, Music
Cover of the book The Cambridge Companion to Film Music by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781108105637
Publisher: Cambridge University Press Publication: December 8, 2016
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781108105637
Publisher: Cambridge University Press
Publication: December 8, 2016
Imprint: Cambridge University Press
Language: English

This wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.

More books from Cambridge University Press

Cover of the book Modernism, Satire and the Novel by
Cover of the book 2D Materials by
Cover of the book The Cambridge Companion to Evangelical Theology by
Cover of the book Hyperbolic Manifolds by
Cover of the book Latino Mass Mobilization by
Cover of the book Kierkegaard and Religion by
Cover of the book Teaching Computational Creativity by
Cover of the book Innovating Development Strategies in Africa by
Cover of the book The Psychology of Politicians by
Cover of the book Vigilance and Restraint in the Common Law of Judicial Review by
Cover of the book Return of the Barbarians by
Cover of the book Social Theory of International Politics by
Cover of the book The Cambridge Companion to Hayek by
Cover of the book Black Morocco by
Cover of the book Reshaping Environments by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy