The Cambridge Companion to Opera Studies

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book The Cambridge Companion to Opera Studies by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781107486362
Publisher: Cambridge University Press Publication: October 18, 2012
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781107486362
Publisher: Cambridge University Press
Publication: October 18, 2012
Imprint: Cambridge University Press
Language: English

With its powerful combination of music and theatre, opera is one of the most complex and yet immediate of all art forms. Once opera was studied only as 'a stepchild of musicology', but in the past two decades opera studies have experienced an explosion of energy with the introduction of new approaches drawn from disciplines such as social anthropology and performance studies to media theory, genre theory, gender studies and reception history. Written by leading scholars in opera studies today, this Companion offers a wide-ranging guide to a rapidly expanding field of study and new ways of thinking about a rich and intriguing art form, placing opera back at the centre of our understanding of Western culture over the past 400 years. This book gives lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

With its powerful combination of music and theatre, opera is one of the most complex and yet immediate of all art forms. Once opera was studied only as 'a stepchild of musicology', but in the past two decades opera studies have experienced an explosion of energy with the introduction of new approaches drawn from disciplines such as social anthropology and performance studies to media theory, genre theory, gender studies and reception history. Written by leading scholars in opera studies today, this Companion offers a wide-ranging guide to a rapidly expanding field of study and new ways of thinking about a rich and intriguing art form, placing opera back at the centre of our understanding of Western culture over the past 400 years. This book gives lovers of opera as well as those studying the subject a comprehensive approach to the many facets of opera in the past and today.

More books from Cambridge University Press

Cover of the book The Black–Scholes Model by
Cover of the book The Sword and the Scales by
Cover of the book Earth Dynamics by
Cover of the book The Golden State in the Civil War by
Cover of the book The Structure of Enquiry in Plato's Early Dialogues by
Cover of the book Motion Deblurring by
Cover of the book Event Representation in Language and Cognition by
Cover of the book Universal Empire by
Cover of the book Targeted Sanctions by
Cover of the book Einstein's Unification by
Cover of the book Deep-Sky Companions: The Messier Objects by
Cover of the book The Inner Workings of Life by
Cover of the book A Handbook on Reading WTO Goods and Services Schedules by
Cover of the book Radicals in their Own Time by
Cover of the book The Cambridge Companion to the Greek and Roman Novel by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy