The Cambridge Companion to Shakespeare on Stage

Fiction & Literature, Drama, British & Irish, Nonfiction, Entertainment, Performing Arts
Cover of the book The Cambridge Companion to Shakespeare on Stage by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139816465
Publisher: Cambridge University Press Publication: May 30, 2002
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816465
Publisher: Cambridge University Press
Publication: May 30, 2002
Imprint: Cambridge University Press
Language: English

This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.

More books from Cambridge University Press

Cover of the book Ore Deposit Geology by
Cover of the book Debates in Values-Based Practice by
Cover of the book Weather by
Cover of the book Menander, New Comedy and the Visual by
Cover of the book International Law as a Profession by
Cover of the book The Battle of Jutland by
Cover of the book From Benito Mussolini to Hugo Chavez by
Cover of the book Multimodal Conduct in the Law by
Cover of the book Adult Hydrocephalus by
Cover of the book The Psychology of Creative Writing by
Cover of the book Patents and Innovation in Mainland China and Hong Kong by
Cover of the book Epidemics in Modern Asia by
Cover of the book Augustine: The City of God against the Pagans by
Cover of the book Signal Processing and Networking for Big Data Applications by
Cover of the book The Law and Business of International Project Finance by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy