The Cambridge Companion to the Orchestra

Nonfiction, Entertainment, Music, Instruments & Instruction, Techniques, Theory & Criticism
Cover of the book The Cambridge Companion to the Orchestra by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139816595
Publisher: Cambridge University Press Publication: April 24, 2003
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816595
Publisher: Cambridge University Press
Publication: April 24, 2003
Imprint: Cambridge University Press
Language: English

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.

More books from Cambridge University Press

Cover of the book Greek Theatre Performance by
Cover of the book Modern Administrative Law in Australia by
Cover of the book Antifascist Humanism and the Politics of Cultural Renewal in Germany by
Cover of the book Passing the Primary FRCA SOE by
Cover of the book Listening to the Past by
Cover of the book The Cambridge Handbook of the Learning Sciences by
Cover of the book Physics of Electronic Materials by
Cover of the book From Anthropology to Social Theory by
Cover of the book The Cambridge Companion to David Hare by
Cover of the book Applications of Palaeontology by
Cover of the book Ecology of Fishes on Coral Reefs by
Cover of the book Homo Religiosus? by
Cover of the book Stephen Crane by
Cover of the book The Cambridge Companion to the Sonnet by
Cover of the book A First Course in Optimization Theory by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy