The Cambridge Introduction to Performance Theory

Fiction & Literature, Drama, Nonfiction, Entertainment, Performing Arts
Cover of the book The Cambridge Introduction to Performance Theory by Simon Shepherd, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Simon Shepherd ISBN: 9781316545140
Publisher: Cambridge University Press Publication: March 15, 2016
Imprint: Cambridge University Press Language: English
Author: Simon Shepherd
ISBN: 9781316545140
Publisher: Cambridge University Press
Publication: March 15, 2016
Imprint: Cambridge University Press
Language: English

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.

More books from Cambridge University Press

Cover of the book Constitutionalism of the Global South by Simon Shepherd
Cover of the book Dinosaurs by Simon Shepherd
Cover of the book The Early Hellenistic Peloponnese by Simon Shepherd
Cover of the book The Informal Economy in Developing Nations by Simon Shepherd
Cover of the book The Comedy of Errors by Simon Shepherd
Cover of the book Loving v. Virginia in a Post-Racial World by Simon Shepherd
Cover of the book Luigi Dallapiccola and Musical Modernism in Fascist Italy by Simon Shepherd
Cover of the book The Dynamics of Bureaucracy in the US Government by Simon Shepherd
Cover of the book A Democratic Bearing by Simon Shepherd
Cover of the book Doomed Interventions by Simon Shepherd
Cover of the book China, India and the International Economic Order by Simon Shepherd
Cover of the book Handbook of the International Phonetic Association by Simon Shepherd
Cover of the book The Cambridge Companion to English Literature, 1830–1914 by Simon Shepherd
Cover of the book Personal Identity by Simon Shepherd
Cover of the book Archaeological Resource Management by Simon Shepherd
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy