The Cinema of Me

The Self and Subjectivity in First Person Documentary

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Me by , Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780231850162
Publisher: Columbia University Press Publication: May 29, 2012
Imprint: WallFlower Press Language: English
Author:
ISBN: 9780231850162
Publisher: Columbia University Press
Publication: May 29, 2012
Imprint: WallFlower Press
Language: English

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.

More books from Columbia University Press

Cover of the book Religion and State by
Cover of the book State of Nature, Stages of Society by
Cover of the book The Shahnameh by
Cover of the book Why We Dance by
Cover of the book Creditworthy by
Cover of the book On Suicide Bombing by
Cover of the book The Power of Tolerance by
Cover of the book The Complete Works of Zhuangzi by
Cover of the book The Other Blacklist by
Cover of the book Joseph Conrad and the Fiction of Autobiography by
Cover of the book Banished to the Homeland by
Cover of the book The Heretic in Darwin’s Court by
Cover of the book Enlightenment on the Eve of Revolution by
Cover of the book Regimes of Historicity by
Cover of the book The Death Penalty in China by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy