The Cinema of Steven Spielberg

Empire of Light

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Steven Spielberg by Nigel Morris, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nigel Morris ISBN: 9780231503457
Publisher: Columbia University Press Publication: February 13, 2007
Imprint: WallFlower Press Language: English
Author: Nigel Morris
ISBN: 9780231503457
Publisher: Columbia University Press
Publication: February 13, 2007
Imprint: WallFlower Press
Language: English

Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilification-often vitriolic-for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilification-often vitriolic-for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

More books from Columbia University Press

Cover of the book Writing Resistance by Nigel Morris
Cover of the book On Bicycles by Nigel Morris
Cover of the book Captive Society by Nigel Morris
Cover of the book History and Popular Memory by Nigel Morris
Cover of the book When Movies Were Theater by Nigel Morris
Cover of the book Anxieties of Empire and the Fiction of Intrigue by Nigel Morris
Cover of the book China and India by Nigel Morris
Cover of the book Troublesome Science by Nigel Morris
Cover of the book Life and Money by Nigel Morris
Cover of the book Shizi by Nigel Morris
Cover of the book Addressing Rape Reform in Law and Practice by Nigel Morris
Cover of the book Journalism and New Media by Nigel Morris
Cover of the book Marching Through Suffering by Nigel Morris
Cover of the book Adult Sibling Relationships by Nigel Morris
Cover of the book Gay Men Choosing Parenthood by Nigel Morris
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy