THE little family of mystical treatises which is known to students as “the Cloud of Unknowing group,” deserves more attention than it has hitherto received from English lovers of mysticism: for it represents the first expression in our own tongue of that great mystic tradition of the Christian Neoplatonists which gathered up, remade, and “salted with Christ's salt” all that was best in the spiritual wisdom of the ancient world. That wisdom made its definite entrance into the Catholic fold about A.D. 500, in the writings of the profound and nameless mystic who chose to call himself “Dionysius the Areopagite.” Three hundred and fifty years later, those writings were translated into Latin by John Scotus Erigena, a scholar at the court of Charlemagne, and so became available to the ecclesiastical world of the West. Another five hundred years elapsed, during which their influence was felt, and felt strongly, by the mystics of every European country: by St. Bernard, the Victorines, St. Bonaventura, St. Thomas Aquinas. Every reader of Dante knows the part which they play in the Paradiso. Then, about the middle of the 14th century, England—at that time in the height of her great mystical period—led the way with the first translation into the vernacular of the Areopagite's work. In Dionise Hid Divinite, a version of the Mystica Theologia, this spiritual treasure-house was first made accessible to those outside the professionally religious class. Surely this is a fact which all lovers of mysticism, all “spiritual patriots,” should be concerned to hold in remembrance. It is supposed by most scholars that Dionise Hid Divinite, which—appearing as it did in an epoch of great spiritual vitality--quickly attained to a considerable circulation, is by the same hand which wrote the Cloud of Unknowing and its companion books; and that this hand also produced an English paraphrase of Richard of St. Victor's Benjamin Minor, another work of much authority on the contemplative life. Certainly the influence of Richard is only second to that of Dionysius in this unknown mystic's own work—work, however, which owes as much to the deep personal experience, and extraordinary psychological gifts of its writer, as to the tradition that he inherited from the past.
THE little family of mystical treatises which is known to students as “the Cloud of Unknowing group,” deserves more attention than it has hitherto received from English lovers of mysticism: for it represents the first expression in our own tongue of that great mystic tradition of the Christian Neoplatonists which gathered up, remade, and “salted with Christ's salt” all that was best in the spiritual wisdom of the ancient world. That wisdom made its definite entrance into the Catholic fold about A.D. 500, in the writings of the profound and nameless mystic who chose to call himself “Dionysius the Areopagite.” Three hundred and fifty years later, those writings were translated into Latin by John Scotus Erigena, a scholar at the court of Charlemagne, and so became available to the ecclesiastical world of the West. Another five hundred years elapsed, during which their influence was felt, and felt strongly, by the mystics of every European country: by St. Bernard, the Victorines, St. Bonaventura, St. Thomas Aquinas. Every reader of Dante knows the part which they play in the Paradiso. Then, about the middle of the 14th century, England—at that time in the height of her great mystical period—led the way with the first translation into the vernacular of the Areopagite's work. In Dionise Hid Divinite, a version of the Mystica Theologia, this spiritual treasure-house was first made accessible to those outside the professionally religious class. Surely this is a fact which all lovers of mysticism, all “spiritual patriots,” should be concerned to hold in remembrance. It is supposed by most scholars that Dionise Hid Divinite, which—appearing as it did in an epoch of great spiritual vitality--quickly attained to a considerable circulation, is by the same hand which wrote the Cloud of Unknowing and its companion books; and that this hand also produced an English paraphrase of Richard of St. Victor's Benjamin Minor, another work of much authority on the contemplative life. Certainly the influence of Richard is only second to that of Dionysius in this unknown mystic's own work—work, however, which owes as much to the deep personal experience, and extraordinary psychological gifts of its writer, as to the tradition that he inherited from the past.