The Collage Aesthetic in the Harlem Renaissance

Fiction & Literature, Literary Theory & Criticism
Cover of the book The Collage Aesthetic in the Harlem Renaissance by Rachel Farebrother, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rachel Farebrother ISBN: 9781351892575
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author: Rachel Farebrother
ISBN: 9781351892575
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

Beginning with a subtle and persuasive analysis of the cultural context, Farebrother examines collage in modernist and Harlem Renaissance figurative art and unearths the collage sensibility attendant in Franz Boas's anthropology. This strategy makes explicit the formal choices of Harlem Renaissance writers by examining them in light of African American vernacular culture and early twentieth-century discourses of anthropology, cultural nationalism and international modernism. At the same time, attention to the politics of form in such texts as Toomer's Cane, Locke's The New Negro and selected works by Hurston reveals that the production of analogies, juxtapositions, frictions and distinctions on the page has aesthetic, historical and political implications. Why did these African American writers adopt collage form during the Harlem Renaissance? What did it allow them to articulate? These are among the questions Farebrother poses as she strives for a middle ground between critics who view the Harlem Renaissance as a distinctive, and necessarily subversive, kind of modernism and those who foreground the cooperative nature of interracial creative work during the period. A key feature of her project is her exploration of neglected connections between Euro-American modernism and the Harlem Renaissance, a journey she negotiates while never losing sight of the particularity of African American experience. Ambitious and wide-ranging, Rachel Farebrother's book offers us a fresh lens through which to view this crucial moment in American culture.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Beginning with a subtle and persuasive analysis of the cultural context, Farebrother examines collage in modernist and Harlem Renaissance figurative art and unearths the collage sensibility attendant in Franz Boas's anthropology. This strategy makes explicit the formal choices of Harlem Renaissance writers by examining them in light of African American vernacular culture and early twentieth-century discourses of anthropology, cultural nationalism and international modernism. At the same time, attention to the politics of form in such texts as Toomer's Cane, Locke's The New Negro and selected works by Hurston reveals that the production of analogies, juxtapositions, frictions and distinctions on the page has aesthetic, historical and political implications. Why did these African American writers adopt collage form during the Harlem Renaissance? What did it allow them to articulate? These are among the questions Farebrother poses as she strives for a middle ground between critics who view the Harlem Renaissance as a distinctive, and necessarily subversive, kind of modernism and those who foreground the cooperative nature of interracial creative work during the period. A key feature of her project is her exploration of neglected connections between Euro-American modernism and the Harlem Renaissance, a journey she negotiates while never losing sight of the particularity of African American experience. Ambitious and wide-ranging, Rachel Farebrother's book offers us a fresh lens through which to view this crucial moment in American culture.

More books from Taylor and Francis

Cover of the book Handbook of Pediatric Psychological Screening and Assessment in Primary Care by Rachel Farebrother
Cover of the book Feminist Security Studies by Rachel Farebrother
Cover of the book Church, Community and Power by Rachel Farebrother
Cover of the book The Future of Correctional Rehabilitation by Rachel Farebrother
Cover of the book Elements of Performance by Rachel Farebrother
Cover of the book Acting from Shakespeare's First Folio by Rachel Farebrother
Cover of the book Range Management In Arid Zones by Rachel Farebrother
Cover of the book Political Reason in the Age of Ideology by Rachel Farebrother
Cover of the book School Behaviour and Families by Rachel Farebrother
Cover of the book Farms Trees and Farmers by Rachel Farebrother
Cover of the book Athletic and Orthopedic Injury Assessment by Rachel Farebrother
Cover of the book Infectious Rhythm by Rachel Farebrother
Cover of the book The Routledge Spanish Bilingual Dictionary of Psychology and Psychiatry by Rachel Farebrother
Cover of the book Global Business Intelligence by Rachel Farebrother
Cover of the book Routledge Handbook of European Politics by Rachel Farebrother
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy