The Contemporary American Monologue

Performance and Politics

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
Cover of the book The Contemporary American Monologue by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty ISBN: 9781472585035
Publisher: Bloomsbury Publishing Publication: December 17, 2015
Imprint: Methuen Drama Language: English
Author: Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
ISBN: 9781472585035
Publisher: Bloomsbury Publishing
Publication: December 17, 2015
Imprint: Methuen Drama
Language: English

Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world.

Eddie Paterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance.

The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world.

Eddie Paterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance.

The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon.

More books from Bloomsbury Publishing

Cover of the book The Political Possibility of Sound by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book First Ypres 1914 by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Red Velvet by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book An Introduction to the Law on Financial Investment by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Duchess of Nothing by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book EU Criminal Law after Lisbon by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Rethinking the Theatre of the Absurd by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Shakespeare And Elizabethan Popular Culture by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Debating the Industrial Revolution by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Birds of Bhutan and the Eastern Himalayas by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Russian-Turkmen Encounters by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Complicity and its Limits in the Law of International Responsibility by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Sparks by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Coleridge and German Philosophy by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
Cover of the book Ottoman Refugees, 1878-1939 by Eddie Paterson, Prof. Enoch Brater, Mark Taylor-Batty
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy