The Created Legend

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Created Legend by Fyodor Sologub, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Fyodor Sologub ISBN: 9781465591944
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Fyodor Sologub
ISBN: 9781465591944
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

In "The Little Demon" Sologub has shown us how the evil within us peering out through our imagination makes all the world seem evil to us. In "The Created Legend," feeling perhaps the need of reacting from his morose creation Peredonov, the author has set himself the task of showing the reverse of the picture: how the imagination, no longer warped, but sensitized with beauty, is capable of creating a world of its own, legendary yet none the less real for the legend. The Russian title of the book is more descriptive of the author's intentions than an English translation will permit it to be. "Tvorimaya Legenda" actually means "The legend in the course of creation." The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps over-psychologized; eternal truths and eternal passions are perhaps too often lost sight of under the mass of unnecessary naturalistic detail. In this novel life passes by the author as a kind of dream, a dream within that nightmare Reality, a legend within that amorphousness called Life. And the nightmare and the dream, like a sensitive individual's ideas of the world as it is and as it ought to be, alternate here like moods. The author has expressed this changeableness of mood curiously by alternating a crudely realistic, deliberately naïve, sometimes journalese style with an extremely decorative, lyrical manner—this taxing the translator to the utmost in view of the urgency to translate the mood as well as the ideas.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In "The Little Demon" Sologub has shown us how the evil within us peering out through our imagination makes all the world seem evil to us. In "The Created Legend," feeling perhaps the need of reacting from his morose creation Peredonov, the author has set himself the task of showing the reverse of the picture: how the imagination, no longer warped, but sensitized with beauty, is capable of creating a world of its own, legendary yet none the less real for the legend. The Russian title of the book is more descriptive of the author's intentions than an English translation will permit it to be. "Tvorimaya Legenda" actually means "The legend in the course of creation." The legend that Sologub has in mind is the active, eternally changing process of life, orderly and structural in spite of the external confusion. The author makes an effort to bring order out of apparent chaos by stripping life of its complex modern detail and reducing it to a few significant symbols, as in a rather more subtle "morality play." The modern novel is perhaps over-psychologized; eternal truths and eternal passions are perhaps too often lost sight of under the mass of unnecessary naturalistic detail. In this novel life passes by the author as a kind of dream, a dream within that nightmare Reality, a legend within that amorphousness called Life. And the nightmare and the dream, like a sensitive individual's ideas of the world as it is and as it ought to be, alternate here like moods. The author has expressed this changeableness of mood curiously by alternating a crudely realistic, deliberately naïve, sometimes journalese style with an extremely decorative, lyrical manner—this taxing the translator to the utmost in view of the urgency to translate the mood as well as the ideas.

More books from Library of Alexandria

Cover of the book Three Translations of The Koran (Al-Qur'an) Side by Side by Fyodor Sologub
Cover of the book Washington and the Riddle of Peace by Fyodor Sologub
Cover of the book The A. E. F. With General Pershing and The American Forces by Fyodor Sologub
Cover of the book Through Bosnia and Herzegovina With a Paint Brush by Fyodor Sologub
Cover of the book Up the Chimney by Fyodor Sologub
Cover of the book Tempting Curry Dishes by Fyodor Sologub
Cover of the book Francisco Our Little Argentine Cousin by Fyodor Sologub
Cover of the book Love: A Treatise on the Science of Sex-attraction for the use of Physicians and Students of Medical Jurisprudence by Fyodor Sologub
Cover of the book Traces of a Hidden Tradition in Masonry and Medieval Mysticism by Fyodor Sologub
Cover of the book The Banks of Wye: A Poem by Fyodor Sologub
Cover of the book Featherland: How the Birds Lived at Greenlawn by Fyodor Sologub
Cover of the book Léonore, Ou L'Amour Conjugal: Fait Historique en Deux Actes Et en Prose Mêlée De Chantes by Fyodor Sologub
Cover of the book Directions for Cookery, in Its Various Branches by Fyodor Sologub
Cover of the book The Big Drum: A Comedy in Four Acts by Fyodor Sologub
Cover of the book A Tale of the Summer Holidays by Fyodor Sologub
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy