The Cultural Set Up of Comedy

Affective Politics in the United States Post 9/11

Nonfiction, Science & Nature, Technology, Power Resources, Entertainment, Theatre, Performing Arts
Cover of the book The Cultural Set Up of Comedy by Julie Webber, Intellect Books Ltd
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Author: Julie Webber ISBN: 9781783201440
Publisher: Intellect Books Ltd Publication: November 9, 2013
Imprint: Intellect Language: English
Author: Julie Webber
ISBN: 9781783201440
Publisher: Intellect Books Ltd
Publication: November 9, 2013
Imprint: Intellect
Language: English

How do various forms of comedy – including stand up, satire and film and television – transform contemporary invocations of nationalism and citizenship in youth cultures? And how are attitudes about gender, race and sexuality transformed through comedic performances on social media? The Cultural Set Up of Comedy seeks to answer these questions by examining comedic performances by Chris Rock and Louis C.K., news parodies like The Daily Show with Jon Stewart and The Colbert Report, the role of satire in the Arab Spring and women’s groundbreaking comedic performances in television and the film Bridesmaids. Breaking with the usual cultural studies debates over how to conceptualize youth, the book instead focuses on the comedic cultural and political scripts that frame them through affective strategies post-9/11.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How do various forms of comedy – including stand up, satire and film and television – transform contemporary invocations of nationalism and citizenship in youth cultures? And how are attitudes about gender, race and sexuality transformed through comedic performances on social media? The Cultural Set Up of Comedy seeks to answer these questions by examining comedic performances by Chris Rock and Louis C.K., news parodies like The Daily Show with Jon Stewart and The Colbert Report, the role of satire in the Arab Spring and women’s groundbreaking comedic performances in television and the film Bridesmaids. Breaking with the usual cultural studies debates over how to conceptualize youth, the book instead focuses on the comedic cultural and political scripts that frame them through affective strategies post-9/11.

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