The Darkness of the Present

Poetics, Anachronism, and the Anomaly

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism
Cover of the book The Darkness of the Present by Steve McCaffery, University of Alabama Press
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Author: Steve McCaffery ISBN: 9780817386429
Publisher: University of Alabama Press Publication: November 28, 2012
Imprint: University Alabama Press Language: English
Author: Steve McCaffery
ISBN: 9780817386429
Publisher: University of Alabama Press
Publication: November 28, 2012
Imprint: University Alabama Press
Language: English

The Darkness of the Present includes essays that collectivelyinvestigate the roles of anomaly and anachronism as they work to unsettle commonplace notions of the “contemporary” in the field of poetics.

 

In the eleven essays of The Darkness of the Present, poet and critic Steve McCaffery argues that by approaching the past and the present as unified entities, the contemporary is made historical at the same time as the historical is made contemporary.

 

McCaffery’s writings work against the urge to classify works by placing them in standard literary periods or disciplinary partitions. Instead, McCaffery offers a variety of insights into unusual and ingenious affiliations between poetic works that may have previously seemed distinctive. He questions the usual associations of originality and precedence. In the process, he repositions many texts within genealogies separate from the ones to which they are traditionally assigned.

 

The chapters in The Darkness of the Present might seem to present an eclectic façade and can certainly be read independently. They are linked, however, by a common preoccupation reflected in the title of the book: the anomaly and the anachronism and the way their empirical emergence works to unsettle a steady notion of the “contemporary” or “new.”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Darkness of the Present includes essays that collectivelyinvestigate the roles of anomaly and anachronism as they work to unsettle commonplace notions of the “contemporary” in the field of poetics.

 

In the eleven essays of The Darkness of the Present, poet and critic Steve McCaffery argues that by approaching the past and the present as unified entities, the contemporary is made historical at the same time as the historical is made contemporary.

 

McCaffery’s writings work against the urge to classify works by placing them in standard literary periods or disciplinary partitions. Instead, McCaffery offers a variety of insights into unusual and ingenious affiliations between poetic works that may have previously seemed distinctive. He questions the usual associations of originality and precedence. In the process, he repositions many texts within genealogies separate from the ones to which they are traditionally assigned.

 

The chapters in The Darkness of the Present might seem to present an eclectic façade and can certainly be read independently. They are linked, however, by a common preoccupation reflected in the title of the book: the anomaly and the anachronism and the way their empirical emergence works to unsettle a steady notion of the “contemporary” or “new.”

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