The Day of the Dead

Sliver Fictions, Short Stories & an Homage

Science Fiction & Fantasy, Horror, Fiction & Literature, Short Stories, Romance
Cover of the book The Day of the Dead by Catherine Owen, Caitlin Press
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Author: Catherine Owen ISBN: 9781987915242
Publisher: Caitlin Press Publication: January 23, 2019
Imprint: Caitlin Press Language: English
Author: Catherine Owen
ISBN: 9781987915242
Publisher: Caitlin Press
Publication: January 23, 2019
Imprint: Caitlin Press
Language: English

The Day of the Dead: Sliver Fictions, Short Stories & an Homage is a series of collisions between genders in the realms of sexuality, relationships, art and grief in three sections: Men & Women, Muses and The Dead. Owen explores secrecies, abject pasts, misunderstood desires, the urgency to create and the horrors of loss. The Day of the Dead takes the reader into discomforting worlds, thorned with fantasy and dark humour but rooted in the harsh and sometimes beautiful realities a woman and artist can face in 21st century society. Like the subtitle connotes, Owen’s “sliver fictions” are short and sharp, unapologetically getting caught within inconvenient areas of the heart and mind. Familiar settings, like the cafeteria of a BC ferry, are made unheimlich, or uncanny, with the choice of conversation by strangers, or the memory of a character’s early sexual experiences. Interactions between boys, girls, ghosts, men, women and all sorts of bystander animals make for brief but elaborate tales twisted into hauntingly confounding shapes and angles.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Day of the Dead: Sliver Fictions, Short Stories & an Homage is a series of collisions between genders in the realms of sexuality, relationships, art and grief in three sections: Men & Women, Muses and The Dead. Owen explores secrecies, abject pasts, misunderstood desires, the urgency to create and the horrors of loss. The Day of the Dead takes the reader into discomforting worlds, thorned with fantasy and dark humour but rooted in the harsh and sometimes beautiful realities a woman and artist can face in 21st century society. Like the subtitle connotes, Owen’s “sliver fictions” are short and sharp, unapologetically getting caught within inconvenient areas of the heart and mind. Familiar settings, like the cafeteria of a BC ferry, are made unheimlich, or uncanny, with the choice of conversation by strangers, or the memory of a character’s early sexual experiences. Interactions between boys, girls, ghosts, men, women and all sorts of bystander animals make for brief but elaborate tales twisted into hauntingly confounding shapes and angles.

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