The Disney Musical on Stage and Screen

Critical Approaches from 'Snow White' to 'Frozen'

Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Disney Musical on Stage and Screen by , Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781474234184
Publisher: Bloomsbury Publishing Publication: June 29, 2017
Imprint: Methuen Drama Language: English
Author:
ISBN: 9781474234184
Publisher: Bloomsbury Publishing
Publication: June 29, 2017
Imprint: Methuen Drama
Language: English

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance.

The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals:
· DISNEY MUSICALS: ON FILM
· DISNEY ADAPTATIONS: ON STAGE AND BEYOND
· DISNEY MUSICALS: GENDER AND RACE

The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book.

The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance.

The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals:
· DISNEY MUSICALS: ON FILM
· DISNEY ADAPTATIONS: ON STAGE AND BEYOND
· DISNEY MUSICALS: GENDER AND RACE

The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book.

The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.

More books from Bloomsbury Publishing

Cover of the book Independent Learning in the Foundation Stage by
Cover of the book 1 & 2 Samuel: An Introduction and Study Guide by
Cover of the book Child of the Twenties by
Cover of the book Theological Theology by
Cover of the book EU Criminal Law after Lisbon by
Cover of the book Victorian Horace by
Cover of the book Commun(icat)ing Bodies by
Cover of the book Fashion Drawing by
Cover of the book Contemporary Military Strategy and the Global War on Terror by
Cover of the book American Political Plays in the Age of Terrorism by
Cover of the book The Right to be Forgotten by
Cover of the book Reckless Fellows by
Cover of the book Secular Magic and the Moving Image by
Cover of the book Serbia and the Balkan Front, 1914 by
Cover of the book Wellington's Specialist Troops by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy