The DIY Movement in Art, Music and Publishing

Subjugated Knowledges

Nonfiction, Art & Architecture, Art History, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book The DIY Movement in Art, Music and Publishing by Sarah Lowndes, Taylor and Francis
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Author: Sarah Lowndes ISBN: 9781317555650
Publisher: Taylor and Francis Publication: April 20, 2016
Imprint: Routledge Language: English
Author: Sarah Lowndes
ISBN: 9781317555650
Publisher: Taylor and Francis
Publication: April 20, 2016
Imprint: Routledge
Language: English

This book considers the history of Do It Yourself art, music and publishing, demonstrating how DIY strategies have transitioned from being marginal, to emergent, to embedded. Through secondary research, observation and 30 original interviews, each chapter analyses one of 15 creative cities (San Francisco, Los Angeles, Dusseldorf, New York, London, Manchester, Cologne, Washington DC, Detroit, Berlin, Glasgow, Olympia (Washington), Portland (Oregon), Moscow and Istanbul) and assesses the contemporary situation in each in the post-subcultural era of digital and internet technologies. The book challenges existing subcultural histories by examining less well-known scenes as well as exploring DIY "best practices" to trace a template of best approaches for sustainable, independent, locally owned creative enterprises.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book considers the history of Do It Yourself art, music and publishing, demonstrating how DIY strategies have transitioned from being marginal, to emergent, to embedded. Through secondary research, observation and 30 original interviews, each chapter analyses one of 15 creative cities (San Francisco, Los Angeles, Dusseldorf, New York, London, Manchester, Cologne, Washington DC, Detroit, Berlin, Glasgow, Olympia (Washington), Portland (Oregon), Moscow and Istanbul) and assesses the contemporary situation in each in the post-subcultural era of digital and internet technologies. The book challenges existing subcultural histories by examining less well-known scenes as well as exploring DIY "best practices" to trace a template of best approaches for sustainable, independent, locally owned creative enterprises.

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