The Essay Film

From Montaigne, After Marker

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Essay Film by Timothy Corrigan, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Timothy Corrigan ISBN: 9780199910564
Publisher: Oxford University Press Publication: August 1, 2011
Imprint: Oxford University Press Language: English
Author: Timothy Corrigan
ISBN: 9780199910564
Publisher: Oxford University Press
Publication: August 1, 2011
Imprint: Oxford University Press
Language: English

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agnès Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agnès Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

More books from Oxford University Press

Cover of the book God? : A Debate between a Christian and an Atheist by Timothy Corrigan
Cover of the book Colonial America:A Very Short Introduction by Timothy Corrigan
Cover of the book Falling Behind by Timothy Corrigan
Cover of the book The Piano Man - With Audio Level 1 Oxford Bookworms Library by Timothy Corrigan
Cover of the book Shallow Equality and Symbolic Jurisprudence in Multilingual Legal Orders by Timothy Corrigan
Cover of the book Hate, Politics, Law by Timothy Corrigan
Cover of the book The World from 1000 BCE to 300 CE by Timothy Corrigan
Cover of the book Mr. Jefferson's Lost Cause by Timothy Corrigan
Cover of the book Integrative Geriatric Medicine by Timothy Corrigan
Cover of the book External Liberalization in Asia, Post-Socialist Europe, and Brazil by Timothy Corrigan
Cover of the book Behavioral Ecology of the Eastern Red-backed Salamander by Timothy Corrigan
Cover of the book Slavery, Resistance, Freedom by Timothy Corrigan
Cover of the book Showdown in the Sonoran Desert by Timothy Corrigan
Cover of the book Alcohol Use Disorders by Timothy Corrigan
Cover of the book Losing Twice by Timothy Corrigan
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy