The Grotesque in Church Art

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Grotesque in Church Art by T. Tindall Wildridge, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: T. Tindall Wildridge ISBN: 9781465524362
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: T. Tindall Wildridge
ISBN: 9781465524362
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
The designs of which this book treats have vast fields outside the English church works to which it has been thought good to limit it. Books and buildings undoubtedly mutually interchanged some forms of their ornaments, yet the temple was the earlier repository of man’s ideas expressed in art, and the proper home of the religious symbolism which forms so large a proportion of my subject. In view also of the ground I have ventured to hint may be taken up as to the derivation, of a larger number than is generally supposed, of church designs from heathen prototypes by the hands of apprenticed masons, it is fitting that the evidences should be from their chisels. The only exceptions are a few wall-paintings, which serve to point a difference in style and origin. In every case the examples are from churches in our own land. The conclusions do not nearly approach a complete study of the questions, the research to the present, great as it is, chiefly shewing how much has yet to be learned in order to accurately compare the extant with the long-forgotten. The endeavour has been to present sufficient to enable general inferences to be drawn in the right direction. Of the numerous works consulted in the course of this essay, the most useful has been “Choir Stalls and their Carvings,” sketched by Miss Emma Phipson. While tendering my acknowledgments for much assistance obtained from that lady’s book, I would add that the ‘second series’ suggested cannot but equal the first as a service to the cause of comparative mythology and folk-lore. This place may be taken to dispose of two kinds of grotesques in church art which belong to my title, though not to my intention
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The designs of which this book treats have vast fields outside the English church works to which it has been thought good to limit it. Books and buildings undoubtedly mutually interchanged some forms of their ornaments, yet the temple was the earlier repository of man’s ideas expressed in art, and the proper home of the religious symbolism which forms so large a proportion of my subject. In view also of the ground I have ventured to hint may be taken up as to the derivation, of a larger number than is generally supposed, of church designs from heathen prototypes by the hands of apprenticed masons, it is fitting that the evidences should be from their chisels. The only exceptions are a few wall-paintings, which serve to point a difference in style and origin. In every case the examples are from churches in our own land. The conclusions do not nearly approach a complete study of the questions, the research to the present, great as it is, chiefly shewing how much has yet to be learned in order to accurately compare the extant with the long-forgotten. The endeavour has been to present sufficient to enable general inferences to be drawn in the right direction. Of the numerous works consulted in the course of this essay, the most useful has been “Choir Stalls and their Carvings,” sketched by Miss Emma Phipson. While tendering my acknowledgments for much assistance obtained from that lady’s book, I would add that the ‘second series’ suggested cannot but equal the first as a service to the cause of comparative mythology and folk-lore. This place may be taken to dispose of two kinds of grotesques in church art which belong to my title, though not to my intention

More books from Library of Alexandria

Cover of the book Heroes of Science: Physicists by T. Tindall Wildridge
Cover of the book The Marriage of Elinor by T. Tindall Wildridge
Cover of the book A Christian Directory: Christian Ethics, Christian Economics, Christian Ecclesiastics, and Christian Politics by T. Tindall Wildridge
Cover of the book The Complete Prose Works of Martin Farquhar Tupper by T. Tindall Wildridge
Cover of the book Two Gallant Sons of Devon: A Tale of the Days of Queen Bess by T. Tindall Wildridge
Cover of the book The Story of a Cannoneer Under Stonewall Jackson In Which is Told the Part Taken by the Rockbridge Artillery in the Army of Northern Virginia by T. Tindall Wildridge
Cover of the book The Notorious Mrs. Ebbsmith by T. Tindall Wildridge
Cover of the book The Little Skipper: A Son of a Sailor by T. Tindall Wildridge
Cover of the book The Adventures of Harry Richmond (Complete) by T. Tindall Wildridge
Cover of the book Bell’s Cathedrals: The Cathedral Church of Hereford, A Description of Its Fabric and A Brief History of The Episcopal See by T. Tindall Wildridge
Cover of the book Our Soldier Boy by T. Tindall Wildridge
Cover of the book The Valleys of Tirol: Their Traditions and Customs and How to Visit Them by T. Tindall Wildridge
Cover of the book The Black Patch by T. Tindall Wildridge
Cover of the book The Selected Works of Edward Phillips Oppenheim by T. Tindall Wildridge
Cover of the book Over the Seas for Uncle Sam by T. Tindall Wildridge
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy