On a cold morning in December, towards the close of the year 1612, a young man, whose clothing betrayed his poverty, was standing before the door of a house in the Rue des Grands−Augustine, in Paris. After walking to and fro for some time with the hesitation of a lover who fears to approach his mistress, however complying she may be, he ended by crossing the threshold and asking if Maitre Francois Porbus were within. At the affirmative answer of an old woman who was sweeping out one of the lower rooms the young man slowly mounted the stairway, stopping from time to time and hesitating, like a newly fledged courier doubtful as to what sort of reception the king might grant him. When he reached the upper landing of the spiral ascent, he paused a moment before laying hold of a grotesque knocker which ornamented the door of the atelier where the famous painter of Henry IV.−−neglected by Marie de Medicis for Rubens−−was probably at work. The young man felt the strong sensation which vibrates in the soul of great artists when, in the flush of youth and of their ardor for art, they approach a man of genius or a masterpiece.
On a cold morning in December, towards the close of the year 1612, a young man, whose clothing betrayed his poverty, was standing before the door of a house in the Rue des Grands−Augustine, in Paris. After walking to and fro for some time with the hesitation of a lover who fears to approach his mistress, however complying she may be, he ended by crossing the threshold and asking if Maitre Francois Porbus were within. At the affirmative answer of an old woman who was sweeping out one of the lower rooms the young man slowly mounted the stairway, stopping from time to time and hesitating, like a newly fledged courier doubtful as to what sort of reception the king might grant him. When he reached the upper landing of the spiral ascent, he paused a moment before laying hold of a grotesque knocker which ornamented the door of the atelier where the famous painter of Henry IV.−−neglected by Marie de Medicis for Rubens−−was probably at work. The young man felt the strong sensation which vibrates in the soul of great artists when, in the flush of youth and of their ardor for art, they approach a man of genius or a masterpiece.