The History of Music Production

Nonfiction, Entertainment, Music, Business & Technical, Business Aspects, Theory & Criticism, History & Criticism, Reference
Cover of the book The History of Music Production by Richard James Burgess, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Richard James Burgess ISBN: 9780199385010
Publisher: Oxford University Press Publication: June 25, 2014
Imprint: Oxford University Press Language: English
Author: Richard James Burgess
ISBN: 9780199385010
Publisher: Oxford University Press
Publication: June 25, 2014
Imprint: Oxford University Press
Language: English

In The History of Music Production, Richard James Burgess draws on his experience as a producer, musician, and author. Beginning in 1860 with the first known recording of an acoustic sound and moving forward chronologically, Burgess charts the highs and lows of the industry throughout the decades and concludes with a discussion on the present state of music production. Throughout, he tells the story of the music producer as both artist and professional, including biographical sketches of key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Burgess argues that while technology has defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry come from producers. The result is a deeply knowledgeable book that sketches a critical path in the evolution of the field, and analyzes the impact that recording and disseminative technologies have had on music production. A key and handy reference book for students and scholars alike, it stands as an ideal companion to Burgess's noted, multi-edition book The Art of Music Production.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The History of Music Production, Richard James Burgess draws on his experience as a producer, musician, and author. Beginning in 1860 with the first known recording of an acoustic sound and moving forward chronologically, Burgess charts the highs and lows of the industry throughout the decades and concludes with a discussion on the present state of music production. Throughout, he tells the story of the music producer as both artist and professional, including biographical sketches of key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Burgess argues that while technology has defined the nature of music production, the drive toward greater control over the process, end result, and overall artistry come from producers. The result is a deeply knowledgeable book that sketches a critical path in the evolution of the field, and analyzes the impact that recording and disseminative technologies have had on music production. A key and handy reference book for students and scholars alike, it stands as an ideal companion to Burgess's noted, multi-edition book The Art of Music Production.

More books from Oxford University Press

Cover of the book American Catholics by Richard James Burgess
Cover of the book Studies in Contemporary Jewry by Richard James Burgess
Cover of the book The History of Childhood: A Very Short Introduction by Richard James Burgess
Cover of the book The Letters of Hildegard of Bingen by Richard James Burgess
Cover of the book Fetish by Richard James Burgess
Cover of the book Thomas Aquinas's Summa Contra Gentiles by Richard James Burgess
Cover of the book On the Dot by Richard James Burgess
Cover of the book The Rise of Neoliberal Feminism by Richard James Burgess
Cover of the book Union Pacific by Richard James Burgess
Cover of the book This Thing We Call Literature by Richard James Burgess
Cover of the book Moonshadows by Richard James Burgess
Cover of the book Henry Purcell's Dido and Aeneas by Richard James Burgess
Cover of the book Oliver Twist - With Audio Level 6 Oxford Bookworms Library by Richard James Burgess
Cover of the book Founding Friendships by Richard James Burgess
Cover of the book The Ethics of Self-Defense by Richard James Burgess
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy