The Hundred Days

Fiction & Literature, Classics, Literary
Cover of the book The Hundred Days by Joseph Roth, New Directions
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Author: Joseph Roth ISBN: 9780811222792
Publisher: New Directions Publication: January 11, 2016
Imprint: New Directions Language: English
Author: Joseph Roth
ISBN: 9780811222792
Publisher: New Directions
Publication: January 11, 2016
Imprint: New Directions
Language: English

Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth

Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates.

Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth

Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates.

Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”

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