The Image of a Drawn Sword

Fiction & Literature, LGBT, Gay, Classics
Cover of the book The Image of a Drawn Sword by Jocelyn Brooke, Pan Macmillan
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Author: Jocelyn Brooke ISBN: 9781509855865
Publisher: Pan Macmillan Publication: October 12, 2017
Imprint: Bello Language: English
Author: Jocelyn Brooke
ISBN: 9781509855865
Publisher: Pan Macmillan
Publication: October 12, 2017
Imprint: Bello
Language: English

The calm of Reynard Langrish’s quietly predictable life is shattered when, on a night of rain-swept storm, a stranger – a young soldier called Captain Archer - appears at his remote Kentish cottage. He takes Langrish to an ancient hill fort and introduces him to the men under his command, all of whom share a mysterious tattoo – two snakes entwined around a drawn sword – and are engaged in preparations to defend against a nameless menace, referred to only as ‘the Emergency’.

As the dreamlike narrative rapidly accelerates into Kafkaesque nightmare, Langrish is drawn into a world where illusion, paranoia, and reality unite with lethal consequences, and disorienting shifts of time and perception culminate in a terrifying moment of pure horror.

Originally published in 1950, The Image of a Drawn Sword is steeped in the themes and images that occupy much of Brooke’s writing – the relentlessness of time, suppressed homosexuality, condemned love, self-hatred, and futility; and, above all, an England that was both real and uniquely his own, a mystical, half-known natural world.

‘In its way not inferior to Kafka . . . [it has] a haunting, sinister quality’ – Anthony Powell

‘Seldom have naturalism and fantasy been more strangely merged’ – Elizabeth Bowen

‘He is subtle as the devil’ – John Betjeman

‘The skill and intensity of the writing made peculiarly haunting this cry of complaint on behalf of a bewildered Man’ – Pamela Hansford Johnson, Daily Telegraph

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The calm of Reynard Langrish’s quietly predictable life is shattered when, on a night of rain-swept storm, a stranger – a young soldier called Captain Archer - appears at his remote Kentish cottage. He takes Langrish to an ancient hill fort and introduces him to the men under his command, all of whom share a mysterious tattoo – two snakes entwined around a drawn sword – and are engaged in preparations to defend against a nameless menace, referred to only as ‘the Emergency’.

As the dreamlike narrative rapidly accelerates into Kafkaesque nightmare, Langrish is drawn into a world where illusion, paranoia, and reality unite with lethal consequences, and disorienting shifts of time and perception culminate in a terrifying moment of pure horror.

Originally published in 1950, The Image of a Drawn Sword is steeped in the themes and images that occupy much of Brooke’s writing – the relentlessness of time, suppressed homosexuality, condemned love, self-hatred, and futility; and, above all, an England that was both real and uniquely his own, a mystical, half-known natural world.

‘In its way not inferior to Kafka . . . [it has] a haunting, sinister quality’ – Anthony Powell

‘Seldom have naturalism and fantasy been more strangely merged’ – Elizabeth Bowen

‘He is subtle as the devil’ – John Betjeman

‘The skill and intensity of the writing made peculiarly haunting this cry of complaint on behalf of a bewildered Man’ – Pamela Hansford Johnson, Daily Telegraph

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