The Inspiration Motif in the Works of Franz Grillparzer

With special consideration of ‘Libussa’

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book The Inspiration Motif in the Works of Franz Grillparzer by Gisela Stein, Springer Netherlands
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gisela Stein ISBN: 9789401531719
Publisher: Springer Netherlands Publication: December 6, 2012
Imprint: Springer Language: English
Author: Gisela Stein
ISBN: 9789401531719
Publisher: Springer Netherlands
Publication: December 6, 2012
Imprint: Springer
Language: English

Franz Grillparzer was not a man of extravagance either in phrase or conduct. His life as an individual and artist is marked by a reticence, an aversion to the unveiling of the inner SOul,1 that is perhaps best matched by the concise style and expression of his works. This art of effective restraint is particularly visible in the dramas where often a single word or indeed an utter silence carries the greatest emotional impact. There is an absolute lack of sound and fury signifying nothing; even in the frenzy of inspiration 2 Grillparzer carefully chooses words that best convey his thoughts and for purely emotional release he turns to another medium which he sharply distinguished from poetry: to music. If this poet then who knows no empty phrases applies terms like 'betrothed of the gods',3 'mother of all greatness',4 'mighty 5 lever of the universe', 'messenger of divine happiness'6 to one and the same concept at different times, we may assume that he here expresses something deeply anchored in his being. And indeed, the motif of concentration ('Sammlung') and inspiration ('Begeisterung') is one that we meet again and again in the poetry, the diaries and the dramas. This emotional state is at all times highly revered and greatly sought by the poet - it is, in fact, made a condition of creative productivity and, as the years pass, finally develops into a condition of life itself in the prophecy of 'Libussa'.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Franz Grillparzer was not a man of extravagance either in phrase or conduct. His life as an individual and artist is marked by a reticence, an aversion to the unveiling of the inner SOul,1 that is perhaps best matched by the concise style and expression of his works. This art of effective restraint is particularly visible in the dramas where often a single word or indeed an utter silence carries the greatest emotional impact. There is an absolute lack of sound and fury signifying nothing; even in the frenzy of inspiration 2 Grillparzer carefully chooses words that best convey his thoughts and for purely emotional release he turns to another medium which he sharply distinguished from poetry: to music. If this poet then who knows no empty phrases applies terms like 'betrothed of the gods',3 'mother of all greatness',4 'mighty 5 lever of the universe', 'messenger of divine happiness'6 to one and the same concept at different times, we may assume that he here expresses something deeply anchored in his being. And indeed, the motif of concentration ('Sammlung') and inspiration ('Begeisterung') is one that we meet again and again in the poetry, the diaries and the dramas. This emotional state is at all times highly revered and greatly sought by the poet - it is, in fact, made a condition of creative productivity and, as the years pass, finally develops into a condition of life itself in the prophecy of 'Libussa'.

More books from Springer Netherlands

Cover of the book International Law in the Western Hemisphere by Gisela Stein
Cover of the book Ultrasonography in Ophthalmology XV by Gisela Stein
Cover of the book Migration, Diaspora and Identity by Gisela Stein
Cover of the book Chemical Sensors by Gisela Stein
Cover of the book Tumors of the Central Nervous System, Volume 6 by Gisela Stein
Cover of the book A technical history of the Rio Tinto mines: some notes on exploitation from pre-Phoenician times to the 1950s by Gisela Stein
Cover of the book Dendroclimatology by Gisela Stein
Cover of the book Computers and Writing by Gisela Stein
Cover of the book Science, Action, and Reality by Gisela Stein
Cover of the book Authentic School Science by Gisela Stein
Cover of the book Teratology in the Twentieth Century Plus Ten by Gisela Stein
Cover of the book Encyclopedia of Language and Education by Gisela Stein
Cover of the book IUTAM Symposium on Cellular, Molecular and Tissue Mechanics by Gisela Stein
Cover of the book Geophysical Interpretation using Integral Equations by Gisela Stein
Cover of the book Energy Demand in Industry by Gisela Stein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy