The Jazz Scene

Nonfiction, Entertainment, Music, Music Styles, Jazz & Blues, Jazz
Cover of the book The Jazz Scene by Eric Hobsbawm, Faber & Faber
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eric Hobsbawm ISBN: 9780571320110
Publisher: Faber & Faber Publication: November 20, 2014
Imprint: Faber & Faber Language: English
Author: Eric Hobsbawm
ISBN: 9780571320110
Publisher: Faber & Faber
Publication: November 20, 2014
Imprint: Faber & Faber
Language: English

From 1955-65 the historian Eric Hobsbawm took the pseudonym 'Francis Newton' and wrote a monthly column for the New Statesman on jazz - music he had loved ever since discovering it as a boy in 1933 ('the year Adolf Hitler took power in Germany'). Hobsbawm's column led to his writing a critical history, The Jazz Scene (1959). This enhanced edition from 1993 adds later writings by Hobsbawm in which he meditates further 'on why jazz is not only a marvellous noise but a central concern for anyone concerned with twentieth-century society and the twentieth-century arts.'

'All the greats are covered in passing (Louis Armstrong, Billie Holiday), while further space is given to Duke Ellington, Ray Charles, Thelonious Monk, Mahalia Jackson, and Sidney Bechet ... Perhaps Hobsbawm's tastiest comments are about the business side and work ethics, where his historian's eye strips the jazz scene down to its commercial spine.' Kirkus Reviews

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From 1955-65 the historian Eric Hobsbawm took the pseudonym 'Francis Newton' and wrote a monthly column for the New Statesman on jazz - music he had loved ever since discovering it as a boy in 1933 ('the year Adolf Hitler took power in Germany'). Hobsbawm's column led to his writing a critical history, The Jazz Scene (1959). This enhanced edition from 1993 adds later writings by Hobsbawm in which he meditates further 'on why jazz is not only a marvellous noise but a central concern for anyone concerned with twentieth-century society and the twentieth-century arts.'

'All the greats are covered in passing (Louis Armstrong, Billie Holiday), while further space is given to Duke Ellington, Ray Charles, Thelonious Monk, Mahalia Jackson, and Sidney Bechet ... Perhaps Hobsbawm's tastiest comments are about the business side and work ethics, where his historian's eye strips the jazz scene down to its commercial spine.' Kirkus Reviews

More books from Faber & Faber

Cover of the book Unfinished Adventure by Eric Hobsbawm
Cover of the book Dunkirk by Eric Hobsbawm
Cover of the book Mr Fitton at the Helm by Eric Hobsbawm
Cover of the book The Pyramid by Eric Hobsbawm
Cover of the book The Contract by Eric Hobsbawm
Cover of the book The Wrong Set and Other Stories by Eric Hobsbawm
Cover of the book Harvest of the Cold Months by Eric Hobsbawm
Cover of the book Winterstoke by Eric Hobsbawm
Cover of the book Backhand by Eric Hobsbawm
Cover of the book Cuttin' It by Eric Hobsbawm
Cover of the book Boy Zero Wannabe Hero: The Petrifying Plot of the Plummeting Pants by Eric Hobsbawm
Cover of the book The Childhood of Edward Thomas by Eric Hobsbawm
Cover of the book By the Bog of Cats by Eric Hobsbawm
Cover of the book Wonderland by Eric Hobsbawm
Cover of the book Uncle Vanya by Eric Hobsbawm
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy