The Language of Vision

Photography and Southern Literature in the 1930s and After

Fiction & Literature, Literary Theory & Criticism, American, Nonfiction, Art & Architecture, Photography
Cover of the book The Language of Vision by Joseph R. Millichap, LSU Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joseph R. Millichap ISBN: 9780807162798
Publisher: LSU Press Publication: June 6, 2016
Imprint: LSU Press Language: English
Author: Joseph R. Millichap
ISBN: 9780807162798
Publisher: LSU Press
Publication: June 6, 2016
Imprint: LSU Press
Language: English

The Language of Vision celebrates and interprets the complementary expressions of photography and literature in the South. Southern imagery and text affect one another, explains Joseph R. Millichap, as intertextual languages and influential visions. Focusing on the 1930s, and including significant works both before and after this preeminent decade, Millichap uncovers fascinating convergences between mediums, particularly in the interplay of documentary realism and subjective modernism.
Millichap's subjects range from William Faulkner's fiction, perhaps the best representation of literary and graphic tensions of the period, and the work of other major figures like Robert Penn Warren and Eudora Welty to specific novels, including Ralph Ellison's Invisible Man and James Agee's Let Us Now Praise Famous Men. Fleshing out historical and cultural background as well as critical and theoretical context, Millichap shows how these texts echo and inform the visual medium to reveal personal insights and cultural meanings. Warren's fictions and poems, Millichap argues, redefine literary and graphic tensions throughout the late twentieth century; Welty's narratives and photographs reinterpret gender, race, and class; and Ellison's analysis of race in segregated America draws from contemporary photography. Millichap also traces these themes and visions in Natasha Trethewey's contemporary poetry and prose, revealing how the resonances of these artistic and historical developments extend into the new century. This groundbreaking study reads southern literature across time through the prism of photography, offering a brilliant formulation of the dialectic art forms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Language of Vision celebrates and interprets the complementary expressions of photography and literature in the South. Southern imagery and text affect one another, explains Joseph R. Millichap, as intertextual languages and influential visions. Focusing on the 1930s, and including significant works both before and after this preeminent decade, Millichap uncovers fascinating convergences between mediums, particularly in the interplay of documentary realism and subjective modernism.
Millichap's subjects range from William Faulkner's fiction, perhaps the best representation of literary and graphic tensions of the period, and the work of other major figures like Robert Penn Warren and Eudora Welty to specific novels, including Ralph Ellison's Invisible Man and James Agee's Let Us Now Praise Famous Men. Fleshing out historical and cultural background as well as critical and theoretical context, Millichap shows how these texts echo and inform the visual medium to reveal personal insights and cultural meanings. Warren's fictions and poems, Millichap argues, redefine literary and graphic tensions throughout the late twentieth century; Welty's narratives and photographs reinterpret gender, race, and class; and Ellison's analysis of race in segregated America draws from contemporary photography. Millichap also traces these themes and visions in Natasha Trethewey's contemporary poetry and prose, revealing how the resonances of these artistic and historical developments extend into the new century. This groundbreaking study reads southern literature across time through the prism of photography, offering a brilliant formulation of the dialectic art forms.

More books from LSU Press

Cover of the book Uncivil War by Joseph R. Millichap
Cover of the book Hawks on Wires by Joseph R. Millichap
Cover of the book Values in Landscape Architecture and Environmental Design by Joseph R. Millichap
Cover of the book Literary Partnerships and the Marketplace by Joseph R. Millichap
Cover of the book Randall Lee Gibson of Louisiana by Joseph R. Millichap
Cover of the book Diplomacy at the Brink by Joseph R. Millichap
Cover of the book Reassessing the 1930s South by Joseph R. Millichap
Cover of the book Literary Modernism and Beyond by Joseph R. Millichap
Cover of the book The Bone Lady by Joseph R. Millichap
Cover of the book Tears of Rage by Joseph R. Millichap
Cover of the book The New Orleans of Lafcadio Hearn by Joseph R. Millichap
Cover of the book Defying Jim Crow by Joseph R. Millichap
Cover of the book Calvinist Humor in American Literature by Joseph R. Millichap
Cover of the book The Papers of Jefferson Davis by Joseph R. Millichap
Cover of the book The Problem of Democracy in the Age of Slavery by Joseph R. Millichap
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy