The Last Days of Pompeii

Fiction & Literature, Classics, Historical
Cover of the book The Last Days of Pompeii by Edward Bulwer-Lytton, Otbebookpublishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Edward Bulwer-Lytton ISBN: 9783962724276
Publisher: Otbebookpublishing Publication: August 27, 2018
Imprint: Otbebookpublishing Language: English
Author: Edward Bulwer-Lytton
ISBN: 9783962724276
Publisher: Otbebookpublishing
Publication: August 27, 2018
Imprint: Otbebookpublishing
Language: English

The Last Days of Pompeii is a novel written by the baron Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan.[1] It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79. The novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult – a theme which would emerge in his later writing, particularly "The Coming Race". (Excerpt from Wikipedia)

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Last Days of Pompeii is a novel written by the baron Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan.[1] It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79. The novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult – a theme which would emerge in his later writing, particularly "The Coming Race". (Excerpt from Wikipedia)

More books from Otbebookpublishing

Cover of the book The Shoemaker And The Devil and Other Short Stories by Edward Bulwer-Lytton
Cover of the book The White Ship by Edward Bulwer-Lytton
Cover of the book The Extra Day by Edward Bulwer-Lytton
Cover of the book The Prussian Terror by Edward Bulwer-Lytton
Cover of the book Three Men in a Boat by Edward Bulwer-Lytton
Cover of the book Tales and Novels — Volume 2 by Edward Bulwer-Lytton
Cover of the book The Ambassadors by Edward Bulwer-Lytton
Cover of the book Hell / Warm Words on the Cheerful and Comforting Doctrine of Eternal Damnation by Edward Bulwer-Lytton
Cover of the book A Romance of the West Indies by Edward Bulwer-Lytton
Cover of the book A Winter Pilgrimage by Edward Bulwer-Lytton
Cover of the book The Book of the Thousand Nights and a Night — Volume 11 [Supplement] by Edward Bulwer-Lytton
Cover of the book The Doors of Perception by Edward Bulwer-Lytton
Cover of the book A Life for a Life, Volume 2 (of 3) by Edward Bulwer-Lytton
Cover of the book Paris The Three Cities Trilogy by Edward Bulwer-Lytton
Cover of the book Oliver Twist by Edward Bulwer-Lytton
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy