The Lost Letters

Fiction & Literature, Poetry
Cover of the book The Lost Letters by Catherine Greenwood, Brick Books
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Author: Catherine Greenwood ISBN: 9781771313605
Publisher: Brick Books Publication: September 15, 2013
Imprint: Brick Books Language: English
Author: Catherine Greenwood
ISBN: 9781771313605
Publisher: Brick Books
Publication: September 15, 2013
Imprint: Brick Books
Language: English
Atmospherically light and stylistically expansive – poems that regard our givens as a gift. Don McKay's description of The Pearl King and Other Poems, Catherine Greenwood's wonderful first book, also apply to The Lost Letters: 'With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .' At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society. The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it's a bin of severed sows' ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.
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Atmospherically light and stylistically expansive – poems that regard our givens as a gift. Don McKay's description of The Pearl King and Other Poems, Catherine Greenwood's wonderful first book, also apply to The Lost Letters: 'With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .' At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society. The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it's a bin of severed sows' ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.

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