The Lousy Racket

Hemingway, Scribners, and the Business of Literature

Fiction & Literature, Literary Theory & Criticism, Reference, American
Cover of the book The Lousy Racket by Robert Trogdon, The Kent State University Press
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Author: Robert Trogdon ISBN: 9781631010705
Publisher: The Kent State University Press Publication: January 20, 2014
Imprint: The Kent State University Press Language: English
Author: Robert Trogdon
ISBN: 9781631010705
Publisher: The Kent State University Press
Publication: January 20, 2014
Imprint: The Kent State University Press
Language: English

The business of making an American literary icon

The Lousy Racket is a thorough examination of Ernest Hemingway’s working relationship with his American publisher, Charles Scribner’s Sons, and with his editors there: Maxwell Perkins, Wallace Meyer, and Charles Scribner III. This first critical study of Hemingway’s professional collaboration with Scribners also details the editing, promotion, and sales of the books he published with the firm from 1926 to 1952 and provides a fascinating look into the American publishing industry in the early twentieth century.

This painstakingly researched study reveals the working relationship between Hemingway and his editors, with special emphasis on the friendship that developed between Hemingway and the dean of American book editors, Maxwell Perkins. Drawing on many unpublished resources, including correspondence between Hemingway and his editors and others in the firm, as well as printing, advertising records, and sales dummies,
Robert W. Trogdon shows how Hemingway’s public reputation was shaped in large part by Scribners.

Hemingway scholars will appreciate this contribution to Hemingway studies, and The Lousy Racket is an important contribution to studies in the modernist era in American literature and to book history.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The business of making an American literary icon

The Lousy Racket is a thorough examination of Ernest Hemingway’s working relationship with his American publisher, Charles Scribner’s Sons, and with his editors there: Maxwell Perkins, Wallace Meyer, and Charles Scribner III. This first critical study of Hemingway’s professional collaboration with Scribners also details the editing, promotion, and sales of the books he published with the firm from 1926 to 1952 and provides a fascinating look into the American publishing industry in the early twentieth century.

This painstakingly researched study reveals the working relationship between Hemingway and his editors, with special emphasis on the friendship that developed between Hemingway and the dean of American book editors, Maxwell Perkins. Drawing on many unpublished resources, including correspondence between Hemingway and his editors and others in the firm, as well as printing, advertising records, and sales dummies,
Robert W. Trogdon shows how Hemingway’s public reputation was shaped in large part by Scribners.

Hemingway scholars will appreciate this contribution to Hemingway studies, and The Lousy Racket is an important contribution to studies in the modernist era in American literature and to book history.

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