The Marriage of Figaro

Fiction & Literature, Drama, Nonfiction, Entertainment
Cover of the book The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett, Oberon Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett ISBN: 9781783193783
Publisher: Oberon Books Publication: July 1, 2002
Imprint: Oberon Books Language: English
Author: Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
ISBN: 9781783193783
Publisher: Oberon Books
Publication: July 1, 2002
Imprint: Oberon Books
Language: English

First produced at the Odéon in 1784 The Marriage of Figaro, the second play of Beaumarchais' trilogy was an instant success and ran for an unprecedented 116 performances. Written six years earlier the play had been subject to the rigorous demands of no fewer than six censors, appointed one after the other by Louis XVI, with the principal purpose of preventing such a seditious piece of work from ever reaching the stage. Perhaps the king was right for Beaumarchais’ revolutionary attitudes towards women and the aristocracy espoused the popular feeling that would turn social order on its head and cause the king to lose his own in the subsequent decade. Figaro, full of an irrepressible joie de vivre remains one of drama’s arch-plotters, determinedly outwitting the cast of villains’ mountebanks and rivals who seek to ensnare him and bring about his downfall. His survival is not simply a testimony to his own endurance and inner strength but a signal to the world that the common man has rights and that the modern world must reform itself or be reformed if he is to be allowed to enjoy them.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

First produced at the Odéon in 1784 The Marriage of Figaro, the second play of Beaumarchais' trilogy was an instant success and ran for an unprecedented 116 performances. Written six years earlier the play had been subject to the rigorous demands of no fewer than six censors, appointed one after the other by Louis XVI, with the principal purpose of preventing such a seditious piece of work from ever reaching the stage. Perhaps the king was right for Beaumarchais’ revolutionary attitudes towards women and the aristocracy espoused the popular feeling that would turn social order on its head and cause the king to lose his own in the subsequent decade. Figaro, full of an irrepressible joie de vivre remains one of drama’s arch-plotters, determinedly outwitting the cast of villains’ mountebanks and rivals who seek to ensnare him and bring about his downfall. His survival is not simply a testimony to his own endurance and inner strength but a signal to the world that the common man has rights and that the modern world must reform itself or be reformed if he is to be allowed to enjoy them.

More books from Oberon Books

Cover of the book The Glass Room by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book de Wet: Plays One by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Dusa, Fish, Stas and Vi by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Persuasion by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Pah-La by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Dr Frankenstein by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book The Hot Zone by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Beau Brummel by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Nightfall by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book The Principles of Movement by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Killology by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Behzti (Dishonour) by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Joan Littlewood: Dreams and Realities by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book First Love is the Revolution by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
Cover of the book Love and Money by Pierre Augustin Caron de Beaumarchais, Braham Murray, Robert Cogo-Fawcett
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy