Author: | Kay Williams, Eileen Wyman | ISBN: | 9780984779994 |
Publisher: | Calliope Press | Publication: | April 16, 2015 |
Imprint: | Smashwords Edition | Language: | English |
Author: | Kay Williams, Eileen Wyman |
ISBN: | 9780984779994 |
Publisher: | Calliope Press |
Publication: | April 16, 2015 |
Imprint: | Smashwords Edition |
Language: | English |
“The Matryoshka Murders is a thrilling page turner and great read for anyone. Set in Gorbachev era Russia and NYC the characters are alive, engaging, human and deep. Important political and gender issues are woven in, add value and enhance the plot. A tour de force by authors, Kay Williams and Eileen Wyman! Truly terrific!” Mack Lipkin, physician, writer
“This is a fascinating, disturbing look at conditions in Russia (Leningrad, 1991), particularly what women endure. . . An engaging thriller from first to last, with a serious look at the lengths some are willing to go to force others into compliance. A reminder that liberty is not a given, but must be fought for on a multitude of levels.” Carrie K90, Blogger
“I wanted to read this book because I am fascinated by Russian culture. This didn't disappoint, I learned a lot about Russia from part 1. This is a real page turner, so fast paced you keep waiting for it to run out of steam, but it doesn't. Wow. I loved the characters, they were really well thought out and realistic. There were lots of little plot twists and the pace was kept throughout. I was sad to reach the end, I could have kept reading! A real eye opener.” Laura Smith, Publisher
Kate Hennessey has arrived with colleagues in January, 1991 to take part in Leningrad’s Second International Documentary Festival. The USSR is in severe economic and political crisis. Crime is rampant, shelves are bare. Kate stumbles into an “illegal meeting” of women and audiotapes their descriptions of the harshness of their lives as well as their criticisms of current leaders. There, Sveta, age 17, confides to her that she is afraid she will be killed. Kate offers to help, and is swept up in a series of frightening events, beginning with Kate’s and Sveta’s abduction by Kolya, a drunken cab driver, to a cemetery on the outskirts of Leningrad. Kate is robbed of earrings her lover Gilly has given her, then left to die in the bitter cold. She makes it to a nearby inn, believing that Sveta also escaped.
Was the abduction random, part of the escalating crime wave? Was it meant for Sveta who feared for her life? Or was Kate herself the target?
She might be under scrutiny, Kate decides, because when she first arrived, she inadvertently videotaped an officer with a scarred face talking with a baby-faced civilian in a gray designer suit in the hotel bar. Since then a red-haired soldier—one of the many soldiers roaming the hotel—seems to be following her. Her guide book warns, No pictures allowed of the military.
Kate’s more worried about the fight that she and Gilly had just before she left the U.S., and she throws herself into gathering more footage, her “Messages from Leningrad” for her NYC course in guerrilla filmmaking.
As rumors circulate of an impending coup, Kate discovers that Sveta is missing and tapes a video interview of Sveta’s lover, 17-year-old Nadya, who has been beaten and raped by the police because she is rozovaya, pink, gay. Kate learns to her horror when she and Nadya visit the Kafé Dusha (Café Soul), a dairy bar where the “moonlight” women socialize, that Sveta may be incarcerated in a Psychiatric Clinic for the Cure (drugs and shock therapy). Or she may be dead.
After an invasion into her hotel room while she sleeps and a near miss by a speeding convoy truck at the Palace of Pavlovsk, Kate understands that she is not a victim of Leningrad’s rising crime wave but that there is a real plot to kill her as well as to confiscate her videotapes. An attack against her as she shops along the Nevsky Prospekt and a devastating fire in the wing of her hotel force her (her videos taped to her body) to flee Leningrad with the help of new Russian friends. She is pursued by the scar-faced KGB officer and the local police who have found Sveta’s frozen body in the cemetery pond.
Back home in her NYC apartment, Kate finds that the danger overseas has come straight to her doorstep, and that nothing is what it seems.
“The Matryoshka Murders is a thrilling page turner and great read for anyone. Set in Gorbachev era Russia and NYC the characters are alive, engaging, human and deep. Important political and gender issues are woven in, add value and enhance the plot. A tour de force by authors, Kay Williams and Eileen Wyman! Truly terrific!” Mack Lipkin, physician, writer
“This is a fascinating, disturbing look at conditions in Russia (Leningrad, 1991), particularly what women endure. . . An engaging thriller from first to last, with a serious look at the lengths some are willing to go to force others into compliance. A reminder that liberty is not a given, but must be fought for on a multitude of levels.” Carrie K90, Blogger
“I wanted to read this book because I am fascinated by Russian culture. This didn't disappoint, I learned a lot about Russia from part 1. This is a real page turner, so fast paced you keep waiting for it to run out of steam, but it doesn't. Wow. I loved the characters, they were really well thought out and realistic. There were lots of little plot twists and the pace was kept throughout. I was sad to reach the end, I could have kept reading! A real eye opener.” Laura Smith, Publisher
Kate Hennessey has arrived with colleagues in January, 1991 to take part in Leningrad’s Second International Documentary Festival. The USSR is in severe economic and political crisis. Crime is rampant, shelves are bare. Kate stumbles into an “illegal meeting” of women and audiotapes their descriptions of the harshness of their lives as well as their criticisms of current leaders. There, Sveta, age 17, confides to her that she is afraid she will be killed. Kate offers to help, and is swept up in a series of frightening events, beginning with Kate’s and Sveta’s abduction by Kolya, a drunken cab driver, to a cemetery on the outskirts of Leningrad. Kate is robbed of earrings her lover Gilly has given her, then left to die in the bitter cold. She makes it to a nearby inn, believing that Sveta also escaped.
Was the abduction random, part of the escalating crime wave? Was it meant for Sveta who feared for her life? Or was Kate herself the target?
She might be under scrutiny, Kate decides, because when she first arrived, she inadvertently videotaped an officer with a scarred face talking with a baby-faced civilian in a gray designer suit in the hotel bar. Since then a red-haired soldier—one of the many soldiers roaming the hotel—seems to be following her. Her guide book warns, No pictures allowed of the military.
Kate’s more worried about the fight that she and Gilly had just before she left the U.S., and she throws herself into gathering more footage, her “Messages from Leningrad” for her NYC course in guerrilla filmmaking.
As rumors circulate of an impending coup, Kate discovers that Sveta is missing and tapes a video interview of Sveta’s lover, 17-year-old Nadya, who has been beaten and raped by the police because she is rozovaya, pink, gay. Kate learns to her horror when she and Nadya visit the Kafé Dusha (Café Soul), a dairy bar where the “moonlight” women socialize, that Sveta may be incarcerated in a Psychiatric Clinic for the Cure (drugs and shock therapy). Or she may be dead.
After an invasion into her hotel room while she sleeps and a near miss by a speeding convoy truck at the Palace of Pavlovsk, Kate understands that she is not a victim of Leningrad’s rising crime wave but that there is a real plot to kill her as well as to confiscate her videotapes. An attack against her as she shops along the Nevsky Prospekt and a devastating fire in the wing of her hotel force her (her videos taped to her body) to flee Leningrad with the help of new Russian friends. She is pursued by the scar-faced KGB officer and the local police who have found Sveta’s frozen body in the cemetery pond.
Back home in her NYC apartment, Kate finds that the danger overseas has come straight to her doorstep, and that nothing is what it seems.