The Medieval Filmscape

Reflections of Fear and Desire in a Cinematic Mirror

Nonfiction, History, Medieval, Entertainment, Performing Arts, Film
Cover of the book The Medieval Filmscape by William F. Woods, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William F. Woods ISBN: 9781476613413
Publisher: McFarland & Company, Inc., Publishers Publication: January 23, 2014
Imprint: Language: English
Author: William F. Woods
ISBN: 9781476613413
Publisher: McFarland & Company, Inc., Publishers
Publication: January 23, 2014
Imprint:
Language: English

This book is an attempt at defining the genre of medieval film by describing its features and analyzing its effects and their significance, there being few works presently available that work toward such definition. There are three parts: the introduction enters the medieval film world, describing its typical features and showing how they create a convincing sense of its time; three short chapters discuss authenticity, simplicity and spectacle—the roots of film medievalism; and six longer chapters comment on individual films. Works are discussed that extend the reach of the genre, such as Dreyer’s La Passion de Jeanne d’Arc with its emotional range, or Bergman’s Seventh Seal, which creates a universal symbolism. The author describes what goes into a medieval film and how it affects its audience, while offering suggestions about why its themes are meaningful to us.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is an attempt at defining the genre of medieval film by describing its features and analyzing its effects and their significance, there being few works presently available that work toward such definition. There are three parts: the introduction enters the medieval film world, describing its typical features and showing how they create a convincing sense of its time; three short chapters discuss authenticity, simplicity and spectacle—the roots of film medievalism; and six longer chapters comment on individual films. Works are discussed that extend the reach of the genre, such as Dreyer’s La Passion de Jeanne d’Arc with its emotional range, or Bergman’s Seventh Seal, which creates a universal symbolism. The author describes what goes into a medieval film and how it affects its audience, while offering suggestions about why its themes are meaningful to us.

More books from McFarland & Company, Inc., Publishers

Cover of the book United Nations Participants in the Korean War by William F. Woods
Cover of the book A Dark California by William F. Woods
Cover of the book The Fifth Massachusetts Colored Cavalry in the Civil War by William F. Woods
Cover of the book Science Is Not What You Think by William F. Woods
Cover of the book Alcohol in the Writings of Herman Melville by William F. Woods
Cover of the book Settlers of the American West by William F. Woods
Cover of the book Soccer Culture in America by William F. Woods
Cover of the book Immigration and America's Cities by William F. Woods
Cover of the book Counterinsurgency and the United States Marine Corps by William F. Woods
Cover of the book The Films of John G. Avildsen by William F. Woods
Cover of the book Sherlock and Digital Fandom by William F. Woods
Cover of the book Women Writers of Yiddish Literature by William F. Woods
Cover of the book Gene Hackman by William F. Woods
Cover of the book Now with Kung Fu Grip! by William F. Woods
Cover of the book An Exile Revisits Cuba by William F. Woods
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy