The Men Who Knew Too Much

Henry James and Alfred Hitchcock

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Men Who Knew Too Much by , Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780199910571
Publisher: Oxford University Press Publication: December 19, 2011
Imprint: Oxford University Press Language: English
Author:
ISBN: 9780199910571
Publisher: Oxford University Press
Publication: December 19, 2011
Imprint: Oxford University Press
Language: English

Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James. A wide-range of approaches offer fresh insights about spectatorship, narrative structure, and cinematic representation, as well as the relationship between technology and art, the powers of silence, sensory-and sensational-experiences, the impact of cognition, and the uncertainty of interpretation. The essays explore the avowal and disavowal of familial bonds, as well as questions of Victorian convention, female agency, and male anxiety. And they fruitfully engage issues related to patriarchy, colonialism, national, transnational, and global identities. The capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for James readers and film theorists, for Hitchcock fans and James scholars.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James. A wide-range of approaches offer fresh insights about spectatorship, narrative structure, and cinematic representation, as well as the relationship between technology and art, the powers of silence, sensory-and sensational-experiences, the impact of cognition, and the uncertainty of interpretation. The essays explore the avowal and disavowal of familial bonds, as well as questions of Victorian convention, female agency, and male anxiety. And they fruitfully engage issues related to patriarchy, colonialism, national, transnational, and global identities. The capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for James readers and film theorists, for Hitchcock fans and James scholars.

More books from Oxford University Press

Cover of the book Modern France: A Very Short Introduction by
Cover of the book Love or Money by
Cover of the book Chinese Literature: A Very Short Introduction by
Cover of the book Absolute Music by
Cover of the book The Ancient Emotion of Disgust by
Cover of the book Agnes Grey by
Cover of the book The Blue Sapphire of the Mind by
Cover of the book Weighing the World by
Cover of the book Wandering in the Gardens of the Mind by
Cover of the book Faith-Based Diplomacy by
Cover of the book The Conceit of Humanitarian Intervention by
Cover of the book The Paradise of God: Renewing Religion in an Ecological Age by
Cover of the book A Practical Guide to Geriatric Neuropsychology by
Cover of the book The Greatest Empire by
Cover of the book Approaches to Teaching the History of the English Language by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy